Esther M. K. Cheung, Gina Marchetti, and See-Kam Tan
Global connections and screen innovations converge in Hong Kong cinema. This volume focuses on the film clubs of the 1950s, 1960s, and 1970s, as well as new waves since, that have both refreshed and ruptured Hong Kong screenscapes. Energized by transnational image and human flows from China and Asia, Hong Kong's commercial filmmakers and independent pioneers have actively challenged established genres and narrative conventions to create a cultural space independent of Hollywood. ... Read more
Hong Kong Scholarship Online is a vast and rapidly expanding cross-searchable library which now offers quick and easy access to the full text of over 150 Hong Kong University Press books in seven subject areas.
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