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Remade in HollywoodThe Global Chinese Presence in Transnational Cinemas$
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Kenneth Chan

Print publication date: 2009

Print ISBN-13: 9789622090552

Published to Hong Kong Scholarship Online: September 2011

DOI: 10.5790/hongkong/9789622090552.001.0001

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Coda: Global Cinematic Technologies of Ethnic (Un)Representation

Coda: Global Cinematic Technologies of Ethnic (Un)Representation

Chapter:
(p.175) Coda: Global Cinematic Technologies of Ethnic (Un)Representation
Source:
Remade in Hollywood
Author(s):

Kenneth Chan

Publisher:
Hong Kong University Press
DOI:10.5790/hongkong/9789622090552.003.0008

In place of a conclusion, this chapter presents a “coda,” a musical term to suggest new themes and directions with the purpose of envisioning or speculating the future of the Chinese in Hollywood films. It highlights how the song “Hollywood's not America” appeals to mainstream America's conviction that Hollywood is not definitive American culture, ameliorating the fact that much of the rest of the world sees the United States through Hollywood lenses, due to Hollywood's global cultural hegemony.

Keywords:   new themes, Chinese, Hollywood films, Hollywood's not America, American culture

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