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Frames of AnimeCulture and Image-Building$
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Tze-Yue G. Hu

Print publication date: 2010

Print ISBN-13: 9789622090972

Published to Hong Kong Scholarship Online: September 2011

DOI: 10.5790/hongkong/9789622090972.001.0001

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Epilogue

Epilogue

Chapter:
(p.164) (p.165) Epilogue
Source:
Frames of Anime
Author(s):

Tze-Yue G. Hu

Publisher:
Hong Kong University Press
DOI:10.5790/hongkong/9789622090972.003.0009

This book offers new insight and perspective of the medium-genre. In contemporary terms, anime is Japanese animation with distinctive recognizable representations and often with close-knit links to the graphic literary world of manga. From a broader perspective, anime means more and the Western-sounding term speaks of a different Eastern language and culture from which it originates. The “flip-flop” use of the name-terms in the book—“Japanese animation,” “anime,” and “manga-anime”—is driven and guided not only by a specific culture of what this book is about, but also by the different periods in history from which it charts the visual medium's growth and the socio-cultural context of its development.

Keywords:   medium-genre, anime, manga, Japanese animation, manga-anime

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