(p.181) Selected Bibliography
(p.181) Selected Bibliography
BQB Beijing qingnian bao (Beijing youth newspaper)
BWB Beijing wanbao (Beijing evening newspaper)
DYTX Dianying tongxun (Film newsletter)
DYYS Dianying yishu (Film art)
JHSB Jinghua shibao (Beijing times)
RMRB Renmin ribao (People’s daily)
XJB Xin jingbao (New Beijing newspaper)
ZGDYNJ Zhongguo dianying nianjian (China film year book)
Ai Zhisheng . “Duanzheng zhidao sixiang, mingque chuangzuo fangxiang” (Correct the leaders’ thinking, clarify directions of production). ZGDYNJ (1990), pp. 5–10.
Andrews, Julia F. Painters and Politics of People’s Republic of China 1949–1979. Berkeley: University of California Press, 1994.
Arato, Andrew and Gebhardt, Eike, ed. The Essential Frankfurt School Reader. New York: Urizen Books, 1978.
Barme, Geremie. In the Red: On Contemporary Chinese Culture. New York: Columbia University Press, 1999.
——. “Wang Shuo and Liumang (‘Hooligan’) Culture.” In The Australian Journal of Chinese Affairs 28 (1992): 23–66.
Bazin, André. What Is Cinema? Vol. I. Berkeley: University of California Press, 1967.
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Berry, Chris. ed. Chinese Film in Focus: 25 New Takes. London: BFI publishing, 2003.
——, ed. Perspectives on Chinese Cinema. London: BFI Publishing, 1991.
——. “Suzhou River” (review). Cinemaya 49 (2000): 20–21.
——. “Xiao Wu: China 1997.” Cinemaya (Winter 1998/99): 20.
(p.182) ——. “Towards a Postsocialist Cinema: The Representation of Cultural Revolution in Films from the People’s Republic of China, 1976–1981.” Ph.D. diss., University of California, Los Angeles, 1999.
Bordwell, David, Staiger, Janet and Thompson, Kristin. The Classical Hollywood,Cinema: Film Style and Mode of Production to 1960. New York: Columbia University Press, 1985.
Bordwell, David. Planet Hong Kong: Popular Cinema and the Art of Entertainment. Cambridge, Mass,: Harvard University Press, 2000.
Braester, Yomi. Witness Against History: Literature, Film, and Public Discourse in Twentieth-Century China. Stanford: Stanford University Press, 2003.
Braudy, Leo and Cohen, Marshall, ed. Film Theory and Criticism: Introductory Readings. New York: Oxford University Press, 1999.
Browne, Nick, ed. New Chinese Cinemas: Forms, Identities and Politics. New York: Cambridge University Press, 1994.
Cai Ying . “Piaofang shouru jin shi ji wan—Zhang Yimou Shanghai zaoyu Huatielu” (Only 10,000 at box office: Zhang Yimou’s Waterloo in Shanghai). Shanghai qingnianbao, April 21, 2001.
Caughie, John. Theories of Authorship. London and New York: Routlege, 1986.
Central Committee of the CCP. “Guanyu jingji tizhi gaige de jueding” (Decisions on reform of the economic system). Issued on October 12, 1984.
Chen Haini . “Zhang Yimou xiang shichang ditou xingfu shiguang chongpai jiejü” (Zhang Yimou lowers his head to the market—Happy Times will have a new ending). Yangcheng wanbao, March 15, 2001.
Chen Haosu . “Guanyu yule pian benti lun ji qita” (On dominance of entertainment film and others). ZGDYNJ (1989), pp. 7–11.
Chen Huangmei . “Guanyu dianying yishu de ‘baihua qifang’” (On “Let the hundred flowers bloom” in film art). Zhongguo dianying, 1956, no.1, pp. 10–11.
Chen Kaige . Shaonian Kaige (Young Kaige). Taibei: Yuanliu, 1991.
Chen, Xiaomei. Occidentalism: A Theory of Counter-Discourse in Post Mao China. Oxford: Oxford University Press, 1995.
Chen Xihe and Shi Chuan . Duoyuan yujing zhong de xin sheng dai Zhongguo dianying (New generation of Chinese cinema under multiple discourses). Shanghai: xuelin chubanshe, 2003.
Cheng, Scarlet. “There’s Nothing Like Being There.” Los Angeles Times, November 2, 1998.
Chow, Rey. Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema. New York: Columbia University Press, 1995.
(p.183) Clark, Paul. Chinese Cinema: Culture and Politics since 1949. Cambridge and New York: Cambridge University Press, 1987.
——. “Two Hundred Flowers on China’s Screen.” In Perspectives on Chinese Cinema, edited by Chris Berry, pp. 42–61. London: BFI Publishing, 1991.
Couvares, Francis G., ed. Censorship and American Culture. Washington and London: Smithsonian Institution Press, 1996.
Cui, Shuqin. Women Through the Lens: Gender and Nation in a Century of Chinese Cinema. Honolulu: University of Hawaii Press, 2003.
Dai Fang . “Xingfu shiguang, Zhang Yimou de bu jige zhi zuo” (Happy Times—Zhang Yimou’s failed work). BJWB, January 4, 2001.
Dai, Jinhua . Cinema and Desire: Feminist Marxism and Cultural Politics in the Works of Dai Jinhua, edited by Jing Wang and Tani E. Barlow. New York: Verson, 2002.
——. “Feng Xiaogang guilai” (Return of Feng Xiaogang,), Baijia jiangtan (Seminars of hundreds schools). CCTV-10, February 4, 2005. http://www.cctv.com/program/bjjt/20050204/100726.shtml/.
——. “Imagined Nostalgia.” Translated by Judy T. H. Chen, boundary 2, Vol. 24 No. 3 (Autumn, 1997): 143–161.
Deng Xiaoping . Deng Xiaoping wenxuan (selected works of Deng Xiaoping). Beijing: Renmin chubanshe, 1993.
Dianying yishu (Film art). Periodical published by Association of Chinese Filmmakers, 1959-.
——. “2001 nian guochan yingpian piaofang shouru paihang” 2001 (List of box office revenue of domestic films of 2001, (Editorial). DYYS 2002, no. 3, pp. 12–13.
Dianying tongxu (Film newsletter). Periodical published by Chinese Cinema Research Center, 1979-.
Dirlik, Arif, and Zhang, Xudong, eds. Postmodernism and China. Durham: Duke University Press, 2000.
Dissanayake, Wimal, ed. Cinema and Cultural Identity. Lanham, MD: University Press of America, 1988.
Donald, Stephanie. “Comedy and Affect: The Silkscreen Season and the Quiet Audience — asian Cinema And Festival.” Metro Magazine 2003, Winter.
Eckholm, Erik. “Leading Chinese Filmmaker Tries for a Great Leap to the West.” New York Times, June 21, 2001.
Feng Rui . “Tianxia wuzei de yuanqi” (The origin of A World Without Thieves). XJB, Dec. 06, 2004.
Feng Xiaogang . Wo ba qingchun xian gei ni (I dedicated my youth to you). Beijing: Changjiang wenyi, 2003.
Film Art Research Institute of Chinese Art Research Academy. “Jiushi niandai zhongda geming lishi ticai yingpian chuangzuo diaocha bogao” (Survey of ìfilms of significant revolutionary and historical subjects in the 1990s). DYSY 2002, no. 3, pp. 54–59.
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Gao Jun and Zhang Shuyu . “96 guochan dianying shichang yingjia shu shui” (Who won in the domestic film market in 1996). DYYS 1997, no. 3, pp. 15–17.
Gersner, David and Staiger, Janet, eds. Authorship and Film. New York: Routledge, 2003.
Gledhill, Christine and Williams, Linda. eds. Reinventing Film Studies. New York: Oxford University Press, 2000.
Gunning, Tom. “The Cinema of Attraction: Early Film, Its Spectator and the Avant-Garde.” Wide Angle 8 (1986): 63–70.
He Long . “Xingfu shiguang you meiyou dai lai xingfu” (Does Happy Times bring happiness). Yangcheng wanbao, January 4, 2001.
Hou Ningning . “Jia Zhangke bu qidai gao piaofang” (Jia Zhangke doesn’t expect high box-office revenue). Beijing chenbao, April 9, 2005.
——. “Liu Zhenyun xiaoshuo wengu 1942 zhengzai qiaoqiao yunzuo” (Liu Zhenyun’s novel Remembering 1942 is in production). Beijing chenbao, August 24, 2004.
Huang Bin . “Dianying fenji niannei nanchan” (Film rating won’t be issued with this year). Xiwen chenbao, June 16, 2004.
Huang Shixian . “Yu Haolaiwu ‘boyi’ Zhongguo dianying chanye jieguo chongzu de xin geju—jian lun 2004 nian xin zhuliu dianying ‘san qiang’ de pinpai xiaoying” (Gambling with Hollywood—new structure after Chinese film industry reform—also on brand effect of the top three new mainstream films in 2004). Dangdai dianying 2005, no. 2, pp. 11–17.
Jaffee, Valerie. “An Interview with Jia Zhangke.” Senses of Cinema, June 2004. http://www.sensesofcinema.com/contents/04/32/chinese_underground_film.html/.
Jameson, Fredric. “Notes on Globalization as a Philosophical Issue.” In The Cultures of Globalization, edited by Fredric Jameson and Masao Miyoshi, pp. 54–80. Durham, NC: Duke University Press, 1998.
——. “Reification and Utopia in Mass Culture.” Social Text, no. 1 (Winter, 1979): 130–148.
Jiang Wei . “Zhongguo dianying fenji ye buhui you san ji pian” (Chinese movie rating system won’t have X rate). BJQNB, Nov. 21, 2003.
Kan, Wendy. “Big Shot’ doesn’t win over locals.” Variety 387:2 [May 27, 2002- June 02, 2002]; FILM.
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Kong, Shuyu. “Big Shot from Beijing: Feng Xiaogang’s He Sui Pian and Contemporary Chinese Commercial Film.” Asian Cinema 14, 1 (Spring/Summer 2003): 175–187.
Kraicer, Shelly. “Interview with Jia Zhangke.” Cineaction 60, 1 (2003): 30–33.
——. “Review of Jia Zhangke’s Platform.” Cineaction 5, 2 (2001): 67–70.
——. “Review of Unknown Pleasures.” Cineaction 61, 1 (2003): 65–66.
Kuoshu, Harry. “Filming Marginal Youth: The ‘Beyond’ Syndrome in the Postsocialist City.” In Lightness of Being in China: Adaptation and Discursive Figuration in Cinema and Theater, edited by Harry Kuoshu, pp. 123–52. New York: Peter Lang, 1999.
Lao Mei . “Guochan dianying: shuguang he yinying—1995 nian zhongguo dianying shichang yipie” (Domestic films: dawn and shadow—a glance at the Chinese film market of 1995). ZGDYNJ (1996), pp.199–202.
Lau, Jenny. Multiple Modernities: Cinemas and Popular Media in Transcultural Asia. Philadelphia: Temple University Press, 2003.
Lee, Leo Ou-fan. “The Tradition of Modern Chinese Cinema: Some Preliminary Explorations and Hypothesis.” In Perspective on Chinese Cinema, edited. Chris Berry, pp. 6–20. London: British Film Institute, 1997.
Leyda, Jay. Dianying: An Account of Film and Film Audience in China. Cambridge: The MIT Press, 1972.
Li Guangyi . “Shanghai choujian donghua pindao” (Shanghai is about to open a cartoon channel). Jiefang ribao, April 06, 2004.
Li Jun . “Wang Xiaoshuai Qinghong tongguo shencha: jisong Jiana dengdai cansai jieguo” (Wang Xiaoshuai’s Shanghai Dream passed censorship and is waiting for result from Cannes). Shanghai qingnianbao, April 05, 2005.
Li Li . “Shaoer buyi de youhuo he sikao” (Temptation and thinking of ‘Not Appropriate for Children’). RMRB, February 28, 1989.
Li Ruihuan . “Fanrong you Zhongguo tese de shehuizhuyi dianying yishu” (Let the art of socialist cinema with Chinese specificities flourish). DYTX 1990, no, 4 pp. 1–2 and no. 5 pp. 1–3.
Li Xingye . “Bingtai shehui bingtai jingshen de zhenshi xiezhao: Wang Shuo dianying de jiazhi yu shiwu” (Realistic representation of a morbid spirit in a morbid society—the value and failure of Wang Shuo films). ZGDYNJ (1989), pp. 285–288.
Liang Yu. “Film Giant’s New Sideline: Kodak’s $4 million Theater to Open Soon”. Shanghai Star, (January 8, 2001).
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Liu Jiaqi . “Wen Rui duihua Feng Xiaogang” (Wen Rui talks to Feng Xiaogang). Dongfang zaobao, Nov. 18, 2004.
Liu Qing . “Shouji zhengyi de beihou” (Behind the debate over Cell Phone). RMRB, February 11, 2004.
Liu Qiong . “Jinian ‘zai Yan’an wenyi zuotan hui shang de jianghua’ fabiao 60 zhou nian: zhongzhi yuan tuan zhengti chuji” (Celebrate the 60 Years anniversary of Yan’an Talks: all the central art institutions act now). RMRB, April 18, 2002.
Liu Yantao “Jingtao Hailang gaokeji suo jiangshu de zhenshigan de zai chuangzao he xiangmuyunzuo de gaoxiaoxing” (Recreation of realism and efficiency of project operation of high technology in A Stormy Sea). DYYS 2003, no. 3, pp. 55–57.
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Liu Jianghua and Zheng Ye . “Guoji chuanmei j.tou fenfen daj, jinjun Zhongguo yingshi ye” (International media moguls enter china’s movie and TV industry). BJQNB, November 26, 2004.
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Mao Zedong . Mao Zedong Xuanji (The collected works of Mao Zedong). Beijing: Renmin chubanshe, 1977.
McGrath, Jason, “Culture and the Market in Contemporary China: Cinema, Literature and Criticism of the 1990s.” Ph.D. diss., University of Chicago, 2004.
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Renmin ribao, editorial, “Bixu qizhi xianming di fandui dongluan” (Must resolutely oppose an unrest). RMRB, April 26, 1989.
——, editorial, “Xuexi Jiang Zemin lun Yan’an jingshen de zhongyao jianghua” (Study Jiang Zemin’s important talk on Yan’an spirit). April 20, 2002.
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Zhu, Ying. Chinese Cinema During the Reform Era: The Ingenuity of the System. Westport, Conn.: Praeger, 2003.