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Ink Dances in LimboGao Xingjian's Writing as Cultural Translation$
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Jessica Yeung

Print publication date: 2008

Print ISBN-13: 9789622099210

Published to Hong Kong Scholarship Online: September 2011

DOI: 10.5790/hongkong/9789622099210.001.0001

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Introduction: Writing Across Culture

Introduction: Writing Across Culture

Chapter:
(p.3) 1 Introduction: Writing Across Culture
Source:
Ink Dances in Limbo
Author(s):

Jessica Yeung

Publisher:
Hong Kong University Press
DOI:10.5790/hongkong/9789622099210.003.0001

Gao Xingjian's literary works have always functioned in the interstices between China and the “West.” The award of the 2001 Nobel Prize in Literature to Gao Xingjian has stirred ambivalent responses within Chinese literary circles. Some rejoiced at this news while others considered Gao an inappropriate choice. This book makes a detailed analysis of his entire output. A brief survey of the development of Gao's writing career serves as a good starting point to understand his works, and here contextualisation is a key principle in the analysis of Gao's works. His works of different periods have functioned as one kind of mediation or another between the Chinese and the Western literary polysystems. Therefore, the different aspects of the concept of cultural translation are evoked to illustrate those various functions of mediation in Gao's works.

Keywords:   Gao Xingjian, literary works, China, West, 2001 Nobel Prize, polysystems, cultural translation, mediation

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