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Melancholy DriftMarking Time in Chinese Cinema$
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Jean Ma

Print publication date: 2010

Print ISBN-13: 9789888028054

Published to Hong Kong Scholarship Online: September 2011

DOI: 10.5790/hongkong/9789888028054.001.0001

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Introduction

Introduction

Chapter:
(p.1) Introduction
Source:
Melancholy Drift
Author(s):

Jean Ma

Publisher:
Hong Kong University Press
DOI:10.5790/hongkong/9789888028054.003.0001

This book focuses on the work of Hou Hsiao-hsien, Tsai Ming-liang, and Wong Kar-wai, directors who have not only propelled Chinese cinema into the international spotlight in recent years, but also crafted a distinctive idiom, a cinema of time, across the realms of national and transnational film culture. The following chapters show the significance of this cinema of time as a response to the historical ruptures and political upheavals of modern Chinese history; a representational politics implicating questions of historiography, national identity, gender, and sexuality; and an active engagement with and reinvention of the modernist legacy of art cinema in response to globalization and shifting conceptions of narrativity in a post-classical film culture.

Keywords:   Chinese cinema, Hou Hsiao-hsien, Tsai Ming-liang, Wong Kar-wai, globalization, art cinema

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