Abbas, Ackbar. 1997a. Hong Kong: Culture and the Politics of Disappearance. Minneapolis: University of Minnesota Press.
Abbas, Ackbar. 1997b. ‘The erotics of disappointment.’ In Wong Kar-Wai, edited by J.-M. Lalanne, D. Martinez, A. Abbas and J. Ngai, 39–84. Paris: Editions Dis Voir.
Adorno, Theodor. 1991. The Culture Industry: Selected Essays on Mass Culture. London: Routledge.
Agamben, Giorgio. 1993. The Coming Community. Minneapolis: University of Minnesota Press.
Alvermann, Donna E., and Margaret C. Hagood. 2000. ‘Critical media literacy: Research, theory, and practice in “New Times”.’ Journal of Educational Research 93 (3): 193–205.
Ang, Ien. 2001. On Not Speaking Chinese: Living between Asia and the West. London: Routledge.
Anzaldúa, Gloria. 1987. Borderlands/La Frontera: The New Mestiza. San Francisco: Spinsters/Aunt Lute.
Appadurai, Arjun. 1996. Modernity at Large: Cultural Dimensions of Globalization. Minneapolis: University of Minnesota Press.
Appiah, Kwame Anthony. 2005. The Ethics of Identity. Princeton: Princeton University Press.
(p.134) Arrighi, Giovanni. 1994. The Long Twentieth Century: Money, Power and the Origins of Our Times. London: Verso.
Barlow, Tani. 1998. ‘ “Green blade in the act of being grazed”: Late capital, fexible bodies, critical intelligibility.’ Differences 10 (3): 119–158.
BBC News. 1999. ‘Macau and the end of the empire.’ 6 November 2008. http://news.bbc.co.uk/1/hi/world/asia-pacific/566301.stm.
Berger, Mark T., and Douglas A. Borer. 1997. The Rise of East Asia: Critical Visions of the Pacific Century. London: Routledge.
Berlant, Lauren. 1997. The Queen of America Goes to Washington City: Essays on Sex and Citizenship. Durham: Duke University Press.
Berlant, Lauren. 1998. ‘Intimacy: A special issue.’ Critical Inquiry 24 (2): 281–288.
Berry, Chris. 1988. ‘Chinese women’s cinema.’ Camera Obscura 18: 5–19.
Berry, Chris, ed. 1991. Perspectives on Chinese Cinemas. London: British Film Institute.
Berry, Chris, and Mary Farquhar. 2006. China on Screen: Cinema and Nation. New York: Columbia University Press.
Berry, Michael. 2005. ‘Ann Hui: Living through films.’ In Speaking in Images: Interviews with Contemporary Chinese Filmmakers, edited by M. Berry, 423–439. New York: Columbia University Press.
Bhabha, Homi. 1990. ‘DissemiNation: Time, narrative, and the margins of the modern nation.’ In Nation and Narration, edited by H. Bhabha, 291–322. Routledge: London.
Bhabha, Homi. 1999. ‘Arrivals and departures.’ In Home, Exile, Homeland: Film, Media and the Politics of Place, edited by H. Naficy, vii–xii. London: Routledge.
Blaetz, Robin, ed. 2007. Women’s Experimental Cinema: Critical Frameworks. Durham: Duke University Press.
Bordo, Susan. 1997. Twilight Zones: The Hidden Life of Cultural Images from Plato to O.J. Berkeley: University of California Press.
Bordwell, David. 2000. Planet Hong Kong: Popular Cinema and the Art of Entertainment. Cambridge, Mass: Harvard University Press.
Bottomley, Gillian. 1992. From Another Place: Migration and the Politics of Culture. Cambridge: Cambridge University Press.
Boym, Svetlana. 1998. ‘On diasporic intimacy: Ilya Kabakov’s installations and immigrant homes.’ Critical Inquiry 24 (2): 498–524.
(p.135) Boym, Svetlana. 2001. The Future of Nostalgia. New York: Basic Books.
Braziel, Jana Evans. 2008. Diaspora: An Introduction. London: Blackwell.
Braziel, Jana Evans, and Anita Mannur, eds. 2003. Theorizing Diaspora: A Reader. Malden, MA: Blackwell.
Brooks, Peter. 1976. The Melodramatic Imagination: Balzac, Henry James, Melodrama and the Mode of Excess. New Haven: Yale University Press.
Browne, Nick. 1994. ‘Society and subjectivity: On the political economy of Chinese melodrama.’ In New Chinese Cinemas: Forms, Identities, Politics, edited by N. Browne, P. Pickowicz, V. Sobchack and E. Yau, 40–56. Cambridge: Cambridge University Press.
Chakrabarty, Dipesh. 2001. ‘Notes toward a conversation between area studies and diasporic studies.’ In Orientations: Mapping Studies in the Asian Diaspora, edited by K. Chuh and K. Shimakawa, 107–129. Durham: Duke University Press.
Chambers, Iain. 1994. Migrancy, Culture, Identity. New York: Routledge.
Cheung, Esther. 2001. ‘The hi/stories of Hong Kong.’ Cultural Studies 15 (3–4): 564–590.
Cheung, Esther, and Yiu-wai Chu. 2004. Between Home and World: A Reader in Hong Kong Cinema. Hong Kong: Hong Kong University Press.
Cho, Seehwa. 2006. ‘On language of possibility: Revisiting critical pedagogy.’ In Reinventing Critical Pedagogy: Widening the Circle of Anti-Oppression Education, edited by C. A. Rossatto, R. L. Allen and M. Pruyn, 125–142. Lanham: Rowman and Littlefield.
Choi, Wai Kit. 2007. ‘(Post)coloniality as a Chinese state of exception.’ Postcolonial Studies 10 (4): 391–411.
Chow, Rey. 1991. Writing Diaspora: Tactics of Intervention in Contemporary Cultural Studies. Bloomington: Indiana University Press.
Chow, Rey. 1992. ‘Between colonizers: Hong Kong’s postcolonial self-writing in the 1990s.’ Diaspora 2 (2): 151–170.
Chow, Rey. 1998. Ethics after Idealism: Theory, Culture, Ethnicity, Reading. Bloomington: Indiana University Press.
Chow, Rey. 2002. The Protestant Ethnic and the Spirit of Capitalism. New York: Columbia University Press.
Chow, Rey. 2004. ‘Toward an ethics of postvisuality: Some thoughts on the recent work of Zhang Yimou.’ Poetics Today 25 (4): 673–688.
(p.136) Chow, Rey. 2007. Sentimental Fabulations, Contemporary Chinese Films: Attachment in the Age of Global Visibility. New York: Columbia University Press.
Chu, Yingchi. 2003. Hong Kong Cinema: Coloniser, Motherland and Self. London: Routledge.
Chua, Lawrence. 1991. ‘Ann Hui: Interview.’ Bomb xxxvi: 28–31.
Chua, Siew Keng. 1998. ‘Song of the Exile: The politics of “home”.’ Jump Cut 42: 90–93.
Chuah, Tony. 1991. ‘Brand new territories.’ Illusions 16: 22.
Chung, Winnie. 2002. ‘Tomboy wonder.’ South China Morning Post 14 March, 5.
Clifford, James. 1994. ‘Diasporas.’ Cultural Anthropology 9 (3): 320–338.
Cohen, Jean. 2002. Regulating Intimacy: A New Legal Paradigm. Princeton: Princeton University Press.
Cohen, Robin. 1997. Global Diasporas: An Introduction. London: University College London Press.
Conner, Walker. 1986. ‘The impact of homelands upon diasporas.’ In Modern Diasporas in International Politics, edited by G. Sheffer, 16–46. Kent: Croom Helm.
Connery, Christopher Leigh. 2007. ‘Introduction: World pedagogy in Santa Cruz.’ In The Worlding Project: Cultural Studies in the Era of Globalization, edited by R. Wilson and C. L. Connery, 1–12. Santa Cruz: New Pacific Press.
Crossley, Pamela Kaye. 1997. The Manchus. Cambridge, MA: Blackwell.
Cubitt, Sean. 2005. “Distribution and media flows.” Cultural Politics 1 (2): 193–214.
Cushman, Jennifer W., and Gungwu Wang. 1988. Changing Identities of the Southeast Asian Chinese since World War II. Hong Kong: Hong Kong University Press.
Darder, Antonio, Marta Baltodano and Rodolfo D. Torres, eds. 2003. The Critical Pedagogy Reader. New York: Routledge.
De Certeau, Michel. 1984. The Practice of Everyday Life. Berkeley: University of California Press.
De Lauretis, Teresa. 1987. Technologies of Gender: Essays on Theory, Film, and Fiction. Bloomington: Indiana University Press.
Deleuze, Gilles, and Félix Guattari. 1986. Kafka: Toward a Minor Literature. Minneapolis: University of Minnesota Press.
(p.137) Desser, David. 2005. ‘Hong Kong film and the new cinephilia.’ In Hong Kong Connections: Transnational Imagination in Action Cinema, edited by M. Morris, S.-L. Li and S. C.-k. Chan, 205–222. Hong Kong: Hong Kong University Press.
Dirlik, Arif. 2004. ‘Intimate others: [Private] nations and diasporas in an age of globalization.’ Inter-Asia Cultural Studies 5 (3): 491–502.
Doane, Mary Anne. 1987. The Desire to Desire: The Woman’s Film of the 1940s. Bloomington: Indiana University Press.
Doraiswamy, Rashmi. 1990. ‘State of flux: Ann Hui talks to Rashmi Doraswamy.’ Cinemaya 7: 22–24.
Dowrick, Stephanie. 1991. Intimacy and Solitude: Changing Your Life. Melbourne: William Heinemann.
Duara, Prasenjit. 1997. ‘Transnationalism and the predicament of sovereignty: China, 1900–1945.’ American Historical Review 102 (4): 1030–1051.
Economist, The. 1990. ‘The shadow of the square: Hong Kong’s film-makers and 1997.’ 12 May, 93–94.
Edwards, Brent Hayes. 2001. ‘The uses of diaspora.’ Social Text 66 (19: 1), 45–73.
Eleftheriotis, Dimitris, and Gary Needham, eds. 2006. Asian Cinemas: A Reader and Guide. Honolulu: University of Hawai’i Press.
Elenes, Alejandra C. 2003. ‘Reclaiming the borderlands: Chicana/o identity, difference, and critical pedagogy.’ In The Critical Pedagogy Reader, edited by A. Darder, M. Baltodano and R. D. Torres, 191–210. New York: RoutledgeFalmer.
Elliott, Mark C. 2000. ‘The limits of Tartary: Manchuria in imperial and national geographies.’ Journal of Asian Studies 59 (3): 603–649.
Elsaesser, Thomas. 1987 (1972). ‘Tales of sound and fury: Observations on the family melodrama.’ In Home Is Where the Heart Is: Studies in Melodrama and the Woman’s Film, edited by C. Gledhill, 43–69. London: British Film Institute.
Erens, Patricia Brett. 2000. ‘Crossing borders: Time, memory, and the construction of identity in Song of the Exile.’ Cinema Journal 39 (4): 43–59.
Erhlich, Linda. 2000. ‘Teaching The Scent of Green Papaya in Saigon: Cinema in international context.’ Cinema Journal 39 (4): 89–93.
(p.138) Erni, John Nguyet. 2001. ‘Like a postcolonial culture: Hong Kong reimagined.’ Cultural Studies 15 (3–4): 389–418.
Faludi, Susan. 1991. Backlash: The Undeclared War against American Women. New York: Crown.
Felski, Rita. 1999–2000. ‘The invention of everyday life.’ New Formations 39: 15–31.
Flitterman-Lewis, Sandy. 1990. To Desire Differently: Feminism and the French Cinema. Urbana: University of Illinois Press.
Foong, Woei Wan. 2001. ‘Ann Hui has a secret — An extraordinary heroine.’ The Straits Times 8 June.
Fore, Steven. 1993. ‘Tales of recombinant femininity: The Reincarnation of Golden Lotus, the Chin P’ing Mei, and the politics of melodrama in Hong Kong.’ Journal of Film and Video 45 (4): 57–70.
Foster, Gwendolyn Audrey. 1997. Women Filmmakers of the African and Asian Diaspora: Decolonizing the Gaze, Locating Subjectivity. Carbondale: Southern Illinois University Press.
Foucault, Michel. 1979. The History of Sexuality. London: Allen Lane.
Foucault, Michel. 1985. The History of Sexuality, Volume 2: The Use of Pleasure. New York: Vintage Books.
Foucault, Michel. 1997. Ethics: Essential Works of Michel Foucault 1954–1984, Volume 1: Subjectivity and Truth. London: Penguin.
Freedman, Maurice. 1979. The Study of Chinese Society: Essays. Stanford: Stanford University Press.
Freiberg, Freda. 2002. “Border crossings: Ann Hui’s cinema.” Senses of Cinema 22.http://archive.sensesofcinema.com/contents/02/22/hui.html.
Freire, Paulo. 1995. Pedagogy of the Oppressed. New York: Continuum.
Fried, Jane, and associates, ed. 1995. Shifting Paradigms in Student Affairs: Culture, Context, Teaching and Learning. Lanham: University Press of America.
Fu, Poshek, and David Desser, ed. 2000. The Cinema of Hong Kong: History, Arts, Identity. Cambridge: Cambridge University Press.
Fung, Anthony, and Eric Ma. 2001. ‘“Satellite modernity”: Four modes of televisual imagination in the disjunctive socio-mediascape of Guangzhou.’ In Media in China: Consumption, Content and Crisis, edited by S. Donald, M. Keane and H. Yin, 67–79. Richmond: RoutledgeCurzon.
(p.139) Fung, Bong Yin. 1999. Macau: A General Introduction. Hong Kong: Joint Publishing.
Garcia, Roger. 1986. ‘The melodramatic point of view.’ In Cantonese Melodrama 1950–1969: The 10th Hong Kong International Film Festival Retrospective, edited by Law Kar, 48–56. Hong Kong: Hong Kong Urban Council.
Gernalzick, Nadja. 2006. ‘To act or to perform: Distinguishing filmic autobiography.’ Biography 26 (1): 1–13.
Giddens, Anthony. 1992. The Transformation of Intimacy: Sexuality, Love and Eroticism in Modern Societies. Cambridge: Polity Press.
Gilroy, Paul. 1993. The Black Atlantic: Modernity and Double Consciousness. New York: Verso.
Ginsberg, Terri. 2003. ‘“Dumbing down” and the politics of neoliberalism in film and/as media studies.’ The Review of Education, Pedagogy, and Cultural Studies 25: 15–33.
Giroux, Henry. 1983. Theory and Resistance in Education: A Pedagogy for the Opposition. South Hadley, Mass.: Bergin & Garvey.
Giroux, Henry. 1988. Teachers as Intellectuals: Toward a Critical Pedagogy of Learning. South Hadley, Mass: Bergin Garvey.
Giroux, Henry. 1992. Border Crossings: Cultural Workers and the Politics of Education. New York: Routledge.
Giroux, Henry. 1994. ‘Doing cultural studies: Youth and the challenge of pedagogy.’ Harvard Educational Review 64 (5): 278–308.
Giroux, Henry. 2000. ‘Postmodern education and disposable youth.’ In Revolutionary Pedagogies: Cultural Politics, Instituting Education, and the Discourse of Theory, edited by P. P. Trifonas, 174–195. New York: RoutledgeFalmer.
Giroux, Henry. 2008. ‘Hollywood film as public pedagogy: Education in the crossfire.’ Afterimage 35:5: 7–13, 7p.
Giroux, Henry, and Peter McLaren, eds. 1994. Between Borders: Pedagogy and the Politics of Cultural Studies. London: Routledge.
Gledhill, Christine, ed. 1987. Home Is Where the Heart Is: Studies in Melodrama and the Woman’s Film. London: British Film Institute.
Godement, François. 1997. The New Asian Renaissance: From Colonialism to the Post-Cold War. London: Routledge.
Hajratwala, Minal. 2007. ‘Intimate history: Reweaving diaspora narratives.’ Cultural Dynamics 19 (2–3): 301–307.
(p.140) Hall, Stuart. 1990. ‘Cultural identity and diaspora.’ In Identity: Community, Culture, Difference, edited by J. Rutherford, 222–237. London: Lawrence and Wishart.
Hall, Stuart. 1993. ‘Culture, community, nation.’ Cultural Studies 7 (3): 349–363.
Harvard Film Archive. 2007. ‘March rhapsody: Selected films of Ann Hui.’ http://hcl.harvard.edu/hfa/films/2007spring/hui.html.
Herzfeld, Michael. 2005. Cultural Intimacy: Social Poetics in the Nation-State. New York: Routledge.
Hirsch, Eric. 2002. ‘Preface’ and ‘The theory behind the dictionary: Cultural literacy and education.’ In The New Dictionary of Cultural Literacy, E. Hirsch, J. F. Kett and J. Trefil, vii–ix, xii–xvi. Boston: Houghton Mifflin.
Hirsch, Marianne. 1989. The Mother/Daughter Plot: Narrative, Psychoanalysis, Feminism. Bloomington: Indiana University Press.
Ho, Elaine Yee Lin. 2001. ‘Women on the edges of Hong Kong modernity: The films of Ann Hui.’ In Spaces of Their Own: Women’s Public Sphere in Transnational China, edited by M. M.-H. Yang, 162–187. Minneapolis: University of Minnesota Press.
Ho, Wendy. 1999. In Her Mother’s House: The Politics of Asian American Mother-Daughter Writing. Walnut Creek, CA: AltaMira Press.
Hsu, Ruth Y. 1996. ‘“Will the model minority please identify itself?”: American ethnic identity and its discontents.’ Diaspora 5 (1): 37–63.
Hughes, Richard. 1968. Hong Kong: Borrowed Place, Borrowed Time. London: Andre Deutsch.
Hutcheon, Linda. 1989. ‘The post-modern ex-centric: The center that will not hold.’ In Feminism and Institutions: Dialogues on Feminist Theory, edited by L. Kauffman, 141–165. London: Blackwell.
Hymes, R. P., and C. Schirokuer, eds. 1993. Ordering the World: Approaches to State and Society in Sung Dynasty China. Berkeley: University of California Press.
Jaivin, Linda. 1987. ‘The woman from Hong Kong: Profile of Hong Kong filmmaker, Ann Hui.’ Cinema Papers 66: 10–13.
JanMohammed, Abdul R. 1994. ‘Some implications of Paulo Freire’s border pedagogy.’ In Between Borders: Pedagogy and the Politics of Cultural Studies, edited by H. Giroux and P. McLaren, 242–252. London: Routledge.
(p.141) Jauss, Hans Robert. 1982. Aesthetic Experience and Literary Hermeneutics. Minneapolis: University of Minnesota Press.
Johnston, Claire. 1974. ‘Women’s cinema as counter-cinema.’ Notes on Women’s Cinema (Screen pamphlet) 2: 24–31.
Kaplan, Caren. 1992. ‘Resisting autobiography: Out-law genres and transnational feminist subjects.’ In Decolonizing the Subject: The Politics of Gender in Women’s Autobiography, edited by S. Smith and J. Watson, 115–138. Minneapolis: University of Minnesota Press.
Kaplan, E. Ann. 1991. ‘Melodrama/subjectivity/ideology: The relevance of Western melodrama theories to recent Chinese cinema.’ East-West Film Journal 5 (1): 6–27.
Kasulis, Thomas. 2002. Intimacy or Integrity: Philosophy and Cultural Difference. Honolulu: University of Hawai’i Press.
Kei, Sek. 1988. ‘The social psychology of Hong Kong cinema.’ In The 12th Hong Kong International Film Festival: Changes in Hong Kong society through cinema, 15–20. Hong Kong: Hong Kong Urban Council.
Kei, Sek. 1994. ‘Achievement and crisis: Hong Kong cinema in the ’80s.’ Bright Lights Film Journal 31. http://www.brightlightsfilm.com/31/hk_achievement31.html.
King, Russell. 1995. ‘Migrations, globalization and place.’ In A Place in the World? Places, Cultures and Globalization, edited by D. Massey and P. Jess, 5–44. Oxford: Oxford University Press.
Kleinhans, Chuck. 1978. ‘Notes on melodrama and the family under capitalism.’ Film Reader 3: 40–47.
Kong, Kam Yoke. 1999. ‘Ann Hui: For the underdogs.’ Cinemaya 45: 17–19.
Kostogriz, Alex, and Georgina Tsolidis. 2008. ‘Transcultural literacy: Between the global and the local.’ Pedagogy, Culture & Society 16 (2): 125–136.
Kraicer, Shelly. 1998. ‘Eighteen Springs (review).’ http://www.chinesecinemas.org/eighteen.html.
Laguerre, Michel S. 1998. Diasporic Citizenship: Haitian Americans in Transnational America. New York: St Martin’s Press.
Landau, Julie, trans. 1994. Beyond Spring: Tz’u Poems of the Sung Dynasty. New York: Columbia University Press.
Lather, Patricia Ann. 1991. Getting Smart: Feminist Research and Pedagogy with/in the Postmodern. London: Routledge.
(p.142) Lattimore, Owen. 1935. Manchuria: Cradle of Conflict. New York: Macmillan.
Lavie, Smadar, and Ted Swedenburg. 1996. Displacement, Diaspora, and Geographies of Identity. Durham: Duke University Press.
Law, Kar. 1986. ‘Archetype and variations.’ In Cantonese Melodrama 1950–1969: The 10th Hong Kong International Film Festival Retrospective, edited by Law Kar, 15–16. Hong Kong: Hong Kong Urban Council.
Lee, Robert H. G. 1970. The Manchurian Frontier in Ch’ing History. Cambridge, MA: Harvard University Press.
Lee, Vivian. 2005. ‘Cinematic remembrances: The search for local histories in post-1997 films by Ann Hui and Fruit Chan.’ Asian Cinema 16 (1): 263–285.
Lejeune, Philippe. 1989. ‘The autobiographical pact.’ In On Autobiography, edited by P. J. Eakin, 3–30. Minneapolis: University of Minnesota Press.
Leung, Helen Hok-Sze. 2008. Undercurrents: Queer Culture and Postcolonial Hong Kong. Vancouver: University of British Columbia Press.
Leung, Ping-kwan. 2000. ‘Urban cinema and the cultural identity of Hong Kong.’ In The Cinema of Hong Kong: History, Arts, Identity, edited by P. Fu and D. Desser, 227–251. Cambridge: Cambridge University Press.
Lévinas, Emmanuel. 1969. Totality and Infinity: An Essay on Exteriority. Pittsburgh: Duquesne University Press.
Li, Cheuk-to. 1986. ‘Introduction.’ In Cantonese Melodrama 1950–1969: The 10th Hong Kong International Film Festival Retrospective, edited by Law Kar, 6. Hong Kong: Hong Kong Urban Council.
Lim, Linda Y. C., and L. A. Peter Gosling, eds. 1983. The Chinese in Southeast Asia. Singapore: Maruzen Asia.
Lowe, Lisa. 2006. ‘The intimacies of four continents.’ In Haunted by Empire: Geographies of Intimacy in North American History, edited by A. L. Stoler, 191–212. Durham: Duke University Press.
Lu, Sheldon Hsiao-peng, ed. 1997. Transnational Chinese Cinemas: Identity, Nationhood, Gender. Honolulu: University of Hawai’i Press.
Lu, Sheldon Hsiao-peng. 2007. Chinese Modernity and Global Biopolitics: Studies in Literature and Visual Culture. Honolulu: University of Hawai’i Press.
(p.143) Ma, Eric Kit-wai. 2005. ‘Re-advertising Hong Kong: Nostalgia industry and popular history.’ In Asian Media studies, edited by J. Erni and S. K. Chua, 136–158. Malden, Mass: Blackwell.
Ma, Eric. 2007. ‘Grassroots nationalism: Changing identity in a changing context.’ China Review — An Interdisciplinary Journal on Greater China 7 (2): 149–167.
Marchetti, Gina. 2006. From Tian’anmen to Times Square: Transnational China and the Chinese Diaspora on Global Screens, 1989–1997. Temple: Temple University Press.
Marks, Laura U. 1999. The Skin of the Film: Intercultural Cinema, Embodiment, and the Senses. Durham, NC: Duke University Press.
McDonogh, Gary, and Cindy Wong. 2005. Global Hong Kong. New York: Routledge.
McLaren, Peter. 1995. Critical Pedagogy and Predatory Culture: Oppositional Politics in a Postmodern Era. London: Routledge.
McLaren, Peter. 2003. ‘Critical pedagogy: A look at the major concepts.’ In The Critical Pedagogy Reader, edited by A. Darder, M. Baltodano and R. D. Torres, 69–96. New York: Routledge.
McLaren, Peter, and Nathalia Jaramillo. 2007. Pedagogy and Praxis in the Age of Empire. Rotterdam: Sense Publications.
McVey, Ruth, ed. 1992. Southeast Asian Capitalists. Ithaca, New York: Southeast Asia Program, Cornell University.
Mercer, Kobena. 1994. Welcome to the Jungle: New Positions in Black Cultural Studies. New York: Routledge.
Mitter, Rana. 2005. ‘Manchuria in mind: Press, propaganda, and Northeast China in the age of empire, 1930–1937.’ In Crossed Histories: Manchuria in the Age of Empire, edited by M. A. Tamahoi, 25–52. Honolulu: Association for Asian Studies and University of Hawai’i Press.
Moran, Albert, ed. 1996. Film Policy: International, National and Regional Perspectives. London: Routledge.
Morris, Meaghan. 2007. ‘Learning from Bruce Lee: Pedagogy and political correctness in martial arts cinema.’ In The Worlding Project: Doing Cultural Studies in the Era of Globalization, edited by R. Wilson and C. L. Connery, 39–60. Berkeley: North Atlantic Books.
Morris, Meaghan, Siu-Leung Li, and Stephen Chan Ching-kiu, eds. 2005. Hong Kong Connections: Transnational Imagination in Action Cinema. Hong Kong: Hong Kong University Press.
(p.144) Mountz, Alison, and Jennifer Hyndman. 2006. ‘Feminist approaches to the global intimate.’ Women’s Studies Quarterly 34 (1/2): 446–463.
MPIA. 1990. Hong Kong Films. 1989–1990. Hong Kong: Hong Kong Kowloon and New Territories Motion Picture Industry Association Limited.
Mulvey, Laura. 1977/1978. ‘Notes on Sirk and melodrama.’ Movie (Winter): 53–56.
Naficy, Hamid. 1993. The Making of Exile Cultures. Minneapolis: University of Minnesota Press.
Naficy, Hamid. 2001. An Accented Cinema: Exilic and Diasporic Filmmaking. Princeton, NJ: Princeton University Press.
Neale, Steve. 2000. Genre and Hollywood. London: Routledge.
Ning, Ma. 1993. ‘Symbolic representations and symbolic violence: Chinese family melodrama of the early 1980s.’ In Melodrama and Asian Cinema, edited by W. Dissanayake, 29–58. Cambridge: Cambridge University Press.
Nonini, Donald, and Aihwa Ong. 1997. ‘Introduction: Chinese transnationalism as an alternative modernity.’ In Ungrounded Empires: The Cultural Politics of Modern Chinese Transnationalism, edited by A. Ong and D. Nonini, 1–33. New York: Routledge.
Nowell-Smith, Geoffrey. 1977. ‘Minnelli and melodrama.’ Screen 18 (2): 113–119.
Olney, James, ed. 1980. Autobiography, Essays Theoretical and Critical. Princeton: Princeton UP.
Ong, Aihwa. 1999. Flexible Citizenship: The Cultural Logics of Transnationality. Durham: Duke University Press.
Ong, Aihwa, and Donald M. Nonini, eds. 1997. Ungrounded Empires: The Cultural Politics of Modern Chinese Transnationalism. New York: Routledge.
Ortiz Dy, Philbert. 2008. ‘The ClickTheCity Primer to Chinese Cinema.’ ClickTheCity.com, accessed 20 February 2008. http://guides.clickthecity.com/movies/?p=2745.
Pan, Lynn. 1990. Sons of the Yellow Emperor: A History of the Chinese Diaspora. Boston: Little, Brown and Company.
Peters, John Durham. 1999. ‘Exile, nomadism and diaspora.’ In Home, Exile, Homeland: Film, Media and the Politics of Place, edited by H. Naficy, 17–44. New York: Routledge.
(p.145) Pickowicz, Paul. 1993. ‘Melodramatic representation and the “May Fourth” tradition of Chinese cinema.’ In From May Fourth to June Fourth: Fiction and Film in Twentieth-Century China, edited by E. Widmer and D. D.-w. Wang, 295–326. Cambridge, Mass.: Harvard University Press.
Podvin, Thomas. 2006. ‘Tale of the dark side: Director Ann Hui explores the seamy side of postmodern Shanghai.’ That’s Shanghai (December).
Porter, Jonathan. 1996. Macau, the Imaginary City: Culture and Society, 1557 to the Present. Boulder: Westview Press.
Portuges, Catherine. 1988. ‘Seeing subjects: Women directors and cinematic autobiography.’ In Life/Lines: Theorizing Women’s Autobiography, edited by B. Brodzki and C. Schenck, 338–350. Ithaca: Cornell University Press.
Pratt, Geraldine, and Victoria Rosner. 2006. ‘Introduction: The global and the intimate.’ Women’s Studies Quarterly 34 (1/2): 13–24.
Pratt, Mary Louise. 1998. ‘Arts of the contact zone: Teaching and learning across languages and cultures.’ In Negotiating Academic Literacies, edited by V. Zamel, and R. Spack, 171–186. Mahwah, New Jersey: Lawrence Erlbaum Associates.
Pred, Allan, and Michael John Watts. 1992. Reworking Modernity: Capitalisms and Symbolic Discontent. New Brunswick, NJ: Rutgers University Press.
Reardon-Anderson, James. 2005. Reluctant Pioneers: China’s Expansion Northward, 1644–1937. Stanford: Stanford University Press.
Rich, B. Ruby. 1990. ‘In the name of feminist film criticism.’ In Issues in Feminist Film Criticism, edited by P. Erens, 288–308. Indiana: Indiana University Press.
Rodowick, D. N. 1997. Gilles Deleuze’s Time Machine. Durham: Duke University Press.
Rushdie, Salman. 1988. The Satanic Verses. New York: Viking.
Safran, William. 1991. ‘Diasporas in modern society: Myths of homeland and return.’ Diaspora 1 (1): 83–99.
Said, Edward. 1983. The World, the Text, and the Critic. Cambridge, Mass: Harvard University Press.
Said, Edward. 1990. ‘Reflections on exile.’ In Out There: Marginalization and Contemporary Cultures, edited by R. Ferguson, M. Gever, Trinh T. Minh-ha and C. West, 357–366. Cambridge, MA: MIT Press.
(p.146) Sakai, Naoki. 1997. Translation and Subjectivity: On Japan and Cultural Nationalism. Minneapolis: University of Minnesota Press.
Saldívar, Ramín. 1990. Chicano Narrative: The Dialectics of Difference. Madison, WI: University of Wisconsin Press.
Schatz, Thomas. 1981. Hollywood Genres: Formulas, Filmmaking, and the Studio System. Philadelphia: Temple University Press.
Schirato, Tony, and Susan Yell. 2000. Communication and Cultural Literacy: An Introduction. St. Leonards, N.S.W: Allen and Unwin.
Schuman, Michael. 2004. ‘Macau’s big score.’ Time 24 May. http://www.time.com/time/magazine/article/0,9171,641209,00.html.
Server, Lee. 1999. Asian Pop Cinema: Bombay to Tokyo. San Francisco: Chronicle Books.
Sharma, Sanjay. 2006. Multicultural Encounters. Basingstoke, Hampshire: Palgrave Macmillan.
Sheffer, Gabriel. 1986. ‘A new field of study: Modern diasporas in international politics.’ In Modern Diasporas in International Politics, edited by G. Sheffer, 1–15. Kent: Croom Helm.
Siegel, Marc. 2001. ‘The intimate spaces of Wong Kar-wai.’ In At Full Speed: Hong Kong Cinema in a Borderless World, edited by E. Yau, 277–294. Minneapolis: University of Minnesota Press.
Simpson, John. 1995. The Oxford Book of Exile. Oxford: Oxford University Press.
Skeldon, Ronald. 1995. ‘Emigration from Hong Kong, 1945–1994: The demographic lead-up to 1997.’ In Emigration from Hong Kong: Tendencies and Impact, edited by R. Skeldon, 51–78. Hong Kong: Chinese University Press.
Skinner, William G. 1957. Chinese Society in Thailand. Ithaca, NY: Cornell University Press.
Smith, Sidonie. 1987. A Poetics of Women’s Autobiography: Marginality and the Fictions of Self-Representation. Bloomington: Indiana University Press.
Smith, Sidonie, and Julia Watson, eds. 1998. Women, Autobiography, Theory: A Reader. Madison: University of Wisconsin Press.
Soja, Edward W. 1996. Thirdspace: Journeys to Los Angeles and Other Real-and-Imagined Places. Cambridge, Mass: Blackwell.
Srinivas, S. V. 2003. ‘Hong Kong action film in the Indian B circuit.’ Inter-Asia Cultural Studies 4 (1): 40–62.
(p.147) Stanbrook, Alan. 1990. ‘Hong Kong: Local heroes and heroines.’ Sight and Sound 59 (3): 148–149.
Stokes, Lisa Oldham, and Michael Hoover. 1999. City on Fire: Hong Kong Cinema. New York: Verso.
Stoler, Ann Laura. 2006. ‘Intimidations of empire: Predicaments of the tactile and unseen.’ In Haunted by Empire: Geographies of Intimacy in North American History, edited by A. L. Stoler, 1–22. Durham: Duke University Press.
Tamanoi, Mariko Asano. 2005. ‘Introduction.’ In Crossed Histories: Manchuria in the Age of Empire, edited by M. A. Tamanoi, 1–24. Honolulu: University of Hawai’i Press.
Teo, Stephen. 1997. Hong Kong Cinema: The Extra Dimensions. London: British Film Institute.
Teo, Stephen. 2005. Wong Kar-Wai. London: British Film Institute.
Tölölyan, Khachig. 1991. ‘The nation-state and its others: In lieu of a preface.’ Diaspora 1 (1): 1–7.
Tölölyan, Khachig. 1996. ‘Rethinking diaspora(s): Stateless power in the transnational moment.’ Diaspora 5 (1): 3–37.
Tsang, Steve. 2004. A Modern History of Hong Kong. New York: Palgrave.
Tu, Wei-ming, ed. 1994. The Living Tree: The Changing Meaning of Being Chinese Today. Stanford: Stanford University Press.
Tu, Wei-ming. 2005. ‘Cultural China: The periphery as the center.’ Daedalus 134 (4): 145–167.
Valdez, Avelardo, and Jeffrey A. Halley. 1999. ‘Teaching Mexican American experiences through film: Private issues and public problems.’ Teaching Sociology 27 (3): 286–295.
Walker, Rebecca. 1992. ‘Becoming the Third Wave.’ Ms (January/February): 39–41.
Wang, Gungwu. 1991. China and the Chinese Overseas. Singapore: Times Academic Press.
Willemen, Paul. 1994. Looks and Frictions: Essays in Cultural Studies and Film Theory. Bloomington: Indiana University Press.
Williams, Tony. 1997. ‘Space, place and spectacle: The crisis cinema of John Woo.’ Cinema Journal 36 (2): 67–84.
Williams, Tony. 1998. ‘Song of the Exile: Border-crossing melodrama.’ Jump Cut 42: 94–100.
(p.148) Williams, Tony. 2003. ‘Transnational stardom: The case of Maggie Cheung Man-yuk.’ Asian Cinema 14 (2): 180–196.
Wong, Cynthia Sau-ling. 1993. Reading Asian American Literature: From Necessity to Extravagance. Princeton: Princeton University Press.
Yau, Esther. 1994. ‘Border crossing: Mainland China’s presence in Hong Kong Cinema.’ In New Chinese Cinemas: Forms, Identities, Politics, edited by N. Browne, P. G. Pickowicz, V. Sobchack and E. Yau, 180–201. New York: Cambridge University Press.
Yau, Esther, ed. 2001. At Full Speed: Hong Kong Cinema in a Borderless World. Minneapolis: University of Minnesota Press.
Yau, Ka-fai. 2002. ‘Cinema 3: Towards a “minor Hong Kong cinema”.’ Cultural Studies 15 (3–4): 543–563.
Yau, Ka-Fai. 2007. ‘Looking back at Ann Hui’s cinema of the political.’ Modern Chinese Literature and Culture 19 (2): 117–150.
Yon, Daniel. 1999. ‘Pedagogy and the “problem” of difference: On reading community in “The Darker Side of Black”.’ Qualitative Studies in Education 12 (6): 623–641.
Yudice, George. 2003. The Expediency of Culture: Uses of Culture in the Global Era. Durham: Duke University Press.
Yue, Audrey. 2004. ‘Migration-as-Transition: Pre-post-1997 Hong Kong culture in Clara Law’s Autumn Moon.’ In Between Home and World: A Reader in Hong Kong Cinema, edited by E. M. K. Cheung and Y.-w. Chu, 224–247. Hong Kong: Hong Kong University Press.
Yue, Audrey. 2005. ‘Migration-as-transition: Hong Kong cinema and the ethics of love in Wong Kar-wai’s 2046.’ In Asian Migrations: Sojourning, Displacement, Homecoming and Other Travels, edited by B. P. Lorente, N. Piper, S. Hsiu-Hua and B. S. A. Yeoh, 155–178. Singapore: National University of Singapore Press.
Yue, Audrey, and Gay Hawkins. 2000. ‘Going south.’ New Formations 40: 49–63.
Zhang, Xudong. 1997. Cultural Fever, Avant Garde Fiction and the New Chinese Cinema. Durham: Duke University Press.