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Japanese Cinema Goes GlobalFilmworkers' Journeys$
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Yoshiharu Tezuka

Print publication date: 2011

Print ISBN-13: 9789888083329

Published to Hong Kong Scholarship Online: May 2012

DOI: 10.5790/hongkong/9789888083329.001.0001

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Internationalization of Japanese Cinema

Internationalization of Japanese Cinema

How Japan Was Different from the West and above Asia before Globalization

Chapter:
(p.25) Chapter Two Internationalization of Japanese Cinema
Source:
Japanese Cinema Goes Global
Author(s):

Yoshiharu Tezuka

Publisher:
Hong Kong University Press
DOI:10.5790/hongkong/9789888083329.003.0003

This chapter investigates Japan's interactions with the West (mostly America) from 1945 to the 1970s. Case studies of filmmakers help document how the American Occupation and postwar reconstruction and remodernization renewed and inscribed in Japan its own otherness against the West on one hand and its superiority complex in relation to its Asian neighbours on the other. Early transnational efforts including the creation of the FPA are examined to show the self-Orientalist strategies of Japanese filmmakers of the time, and to highlight the golden age of Hong Kong-Japanese cinematic collaboration, as well as the emergence of resistance cosmopolitanism.

Keywords:   Daiei, Masaichi Nagata, FPA, Run Run Shaw, Nagisa Oshima

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