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Southeast Asian Independent Cinema$

Tilman Baumgartel

Print publication date: 2012

Print ISBN-13: 9789888083602

Published to Hong Kong Scholarship Online: September 2012

DOI: 10.5790/hongkong/9789888083602.001.0001

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(p.263) Bibliography

(p.263) Bibliography

Source:
Southeast Asian Independent Cinema
Publisher:
Hong Kong University Press

Introduction: Independent Cinema In Southeast Asia

All online resources were accessed on February 1, 2011.

Astruc, A. 1968. The Birth of a New Avant-Garde: La Camera-Stylo. In Graham, P. (ed.). The New Wave: Critical Landmarks. New York: Doubleday.

Baumgärtel, T. 2007. KINO-SINE: Philippine-German Cinema Relations. Manila: Goethe Institut/Anvil Publishing.

Berry, C. 2006. From National Cinema to Cinema and the National: Chinese-Language Cinema and Hou Hsiao Hsien's Taiwan Trilogy. In Vitali, V.; Paul Willemen (eds.). Theorising the National. London: British Film Institute, 148–157.

Carreon, J N.: Film Releases in 2010, Film Academy of the Philippines Website. http://filmacademyphil.org/?p=2282.

Htayaung. 2010. Interview with the author at the Myanmar Motion Pictures Museum.

Junio, A. O. 1995. Filmography of Philippine Films, 1959–1989. Unpublished Thesis. Manila: University of the Philippines.

Lay, U Aye Kyu. 2010. Interview with the author at the Myanmar Motion Pictures Museum.

Momblanco, M. C. A. 1979. Philippine motion pictures, 1908–1958. A Checklist of the First Fifty Years. Unpublished Thesis. Manila: University of the Philippines, Diliman.

Chapter 1: Southeast Asian Independent Cinema

Chaiporaporn, A. 2007. The Comparative Entries of Women Directors into South Korean and Southeast Asian Film Industries, Asian Cinema, Spring/Summer: 1–16.

Ciecko, A. 2006. Apa Apa Dengan Indonesia Cinema? (What's up with Indonesian Cinema?). Interviews with Filmmakers Riri Riza and Rudy Soedjarwo. Asian Cinema, Spring/Summer: 90–107. del Mundo, C. 2003. Philippine Movies in 2001: The Film Industry Is Dead! Long Live Philippine Cinema! Asian Cinema, Spring/Summer 2003: 167–174.

Fuziah, K. and R. A. Alauddin. 1995. The Search for Malaysian Cinema: Between U-Wei, Shuhaimi, Yusof and LPFM. Asian Cinema, Fall/Winter: 58–73.

Jayasrana, D. 2007. Notes from the Underground: Film Activism in Small Town Java.” Asian Cinema, Fall/Winter: 112–118.

Khoo, G. C. 2004. Contesting Diasporic Subjectivity: James Lee, Malaysian Independent Filmmaker. Asian Cinema, Spring/Summer: 169–186.

(p.264) Knee, A. 2007. Report on the Third Annual New Southeast Asian Cinemas Conference. Asian Cinema, Fall/Winter: 124–127.

Lent, J. A. 1990. The Asian Film Industry. Austin: University of Texas Press.

Paramaditha, I. 2007. Contesting Indonesian Nationalism and Masculinity in Cinema. Asian Cinema, Fall/Winter: 41–61.

Sen, K. 2006. Indonesia: Screening a Nation in the Post-New Order. In Ciecko, A. T. (ed.) Contemporary Asian Cinema. Oxford: Berg, 96–107.

Tan See Kam. 2007. Notes on Contemporary Singapore Cinema (1991–2007). Asian Cinema, Fall/Winter: 147–159. van der Heide, W. 2007. Malaysia: Melodramatic rive, Rural Discord, Urban Heartaches. In Ciecko, A. T. (ed.) Contemporary Asian Cinema. Oxford: Berg, 83–95.

Chapter 2: Imagined Communities, Imagined Worlds

Anderson, Benedict. 2003. Imagined Communities. Reflections on the Origins and Spread of Nationalism, Manila: Anvil.

Appadurai, A. 1996. Modernity at Large: Cultural Dimensions of Globalization. Minneapolis/London: University of Minnesota Press.

Baumgärtel, T. (ed.). 2007. KINO-SINE: Philippine-German Cinema Relations. Manila: Goethe Institut.

Baumgärtel, T. 2006. The Culture of Piracy in the Philippines. In Shin Kim-Dong, Joel David (eds.): Cinema in/on Asia, Gwanju: Asia Culture Forum, 377–403.

Baumgärtel, T. (forthcoming): Media Piracy and Independent Film in Southeast Asia. In McKay, Benjamin; May Adadol Ingawanij (eds.). Glimpses of Freedom: Independent Cinema in Contemporary Southeast Asia, Ithaca: SEAP Publications.

Khoo, G. C. 2007. Just do-it-(yourself): Independent filmmaking in Malaysia, Inter-Asia Cultural Studies 8(2), 227–47.

Lent, J. 1990. The Asian Film Industry. London: Christopher Helm.

Manirajan, R. 2007. Tough media laws to stay: PM, The Sun, June 29.

Muhammad, A. 2009. Let us eat rojak, Writing by Amir, April 1. amirmu.blogspot.com.

Raju, Z. H. 2008. Filmic imaginations of the Malaysian Chinese: ‘Mahua cinema’ as a ransnational Chinese cinema, Journal of Chinese Cinemas 1, 67–79.

Tioseco, A. 2005. Family Meals, Family Values, and Philippine Cinema: An Interview with Independent Filmmaker Khavn De la Cruz. Senses of Cinema 34. http://www.sensesofcinema.com/2005/34/khavn_de_la_cruz.

Chapter 3: Hinterland, Heartland, Home

Amin, M. 1998. Layar Perak dan Sejarahnya. Shah Alam, Selangor: Fajar Bakti Sdn Bhd.

Anonymous. 2006. We're going to get better men and we'll fight, Straits Times, May 9.

Apcar, L.M., W. Arnold and S. Mydans. 2007. Excerpts from an interview with Lee uan Yew, New York Times, Aug 29. http://www.nytimes.com/2007/08/29/world/asia/29iht-lee-excerpts.html.

Baharudin, L. 1989. Krisis Filem Melayu. Kuala Lumpur: Insular Publishing House.

(p.265) Barnard, T. 2006. Film, Literature and Context in Southeast Asia: P. Ramlee, Malay Cinema, and History. In Chou, Cynthia; Vincent Houben (Eds.), Southeast Asian Studies: Debates and New Directions. Singapore: Institute of Southeast Asian Studies /International Institute for Asian Studies.

Chua, B. H. 1994. That Imagined Space: Nostalgia For The Kampung in Singapore. Department of Sociology Working Paper.

Chua, B. H. 1997. In Political Legitimacy and Housing: Stakeholding in Singapore. London and New York: Routledge, 51–69.

Chua, B. H. and Yeo, W. W. 2003. Singapore cinema: Eric Khoo and Jack Neo—critique from the margins and the mainstream, Inter-Asia Cultural Studies, 4 (1), 118–125.

Clarke, D. (ed.). 1997. The Cinematic City. London and New York: Routledge.

Gamer, R. E. 1972. The Politics of Urban Development in Singapore. Ithaca and London: Cornell University Press.

Goh, R. B. H. 2003. Things to a Void: Utopian Discourse, Communality and Constructed Interstices in Singapore Public Housing. In Goh, R. B. H.

B.S.A. Yeoh (eds.). Theorizing the Southeast Asian City as Text: Urban Landscapes, Cultural Documents and Interpretative Experiences. Singapore: World Scientific, 51–73.

Goh, R. B. H. 2005. Contours of Culture: Space and Social Difference in Singapore. Hong Kong: Hong Kong University Press.

Guneneratne, A. 2003. The Urban and the Urbane: Modernisation, Modernism and the Rebirth of Singapore Cinema. In Goh, R. B. H.; B.S.A. Yeoh. (eds.) Theorizing the Southeast Asian City as Text: Urban Landscapes, Cultural Documents and Interpretative Experiences. Singapore: World Scientific, 159–189.

Hamzah, H. 1997. Memoir Hamzah Hussin: Dari Keris Film ke Studio Merdeka. Bangi: Penerbit Universiti Kebangsaan Malaysia.

Ho, T. N. 2007. The Afterimage—traces of otherness in recent Singaporean Cinema, Inter-Asia Cultural Studies, 8 (2), 310–326.

Hooker, V. M. 2000. Writing a New Society: Social change through the novel in Malay. Honolulu: Hawaii University Press.

Jamil, S. 1990. Kaca Permata: Memoir Seorang Pengarah. Kuala Lumpur: Dewan Bahasa and Pustaka Kementrian Pendidikan.

Lefebvre, M. 2006. Landscape and Film. New York: Routledge.

Khoo, O. 2005. Slang Images: On the “Foreignness” of Contemporary Singaporean Films. Asia Research Institute Working Paper Series No. 40.

Lacaba, J. F. (ed.). 2000. The Films of ASEAN. Philippines: ASEAN Committee on Culture and Information.

Lim, K.T. 1991. Cathay: 55 Years of Cinema. Singapore: Landmark Books.

Lindquist, J. 2000. Modern Spaces, Wild Places and International Hinterlands: The Cultural Economy of Decoupling and Misrecognition. Anthropology Today 16 (3), 15–17.

Lui, K. n.d. An Exclusive Interview with Director Djinn. Cinespot. http://www.cinespot.com/einterviews05.html.

Millet, R. 2005. Singapore Cinema. Singapore: Editions Didier Millet.

Mohd Zamberi, A. M., and Aimi, J. 2005. Malaysian Films: The Beginning. Selangor: FINAS.

Salleh, G. 1989. Sejarah fi lem Melayu. Kuala Lumpur: Variapop Group.

(p.266) Sweeney, A. 1988. A Full Hearing: Orality and Literacy in the Malay World. Berkeley/Los Angeles: University of California Press.

Tan, S.; B.S.A. Yeoh. 2006. Negotiating cosmopolitanism in Singapore's fictional landscape. In Binnie, Jon (ed.). Cosmopolitan Urbanism. London/New York: Routledge, 171–186.

Uhde, J.; Y. V. Uhde. 2000. Latent Images: Film in Singapore. Singapore: Oxford University Press.

Van der Heide, W. 2002. Malaysian Cinema, Asian Film: Border Crossings and National Culture. Amsterdam: University of Amsterdam Press.

Wee, W. L. 2007. The Suppressed in the Modern Urbanscape: Recent Film In Singapore. Unpublished Conference Paper.

White, T. R. 1997. When Singapore was Southeast Asia's Hollywood, The Arts 5, 21–24.

Wong, L. 2005. Brand Think: A Guide to Branding, Victoria, BC: Trafford Publishing.

Chapter 4: Stealing Moments

Baratham, G. 2001. The City of Forgetting: The Collected Stories of Gopal Baratham. Singapore: Times Books International.

Sa̒at, A. B. 2001. A History Of Amnesia. Singapore: Ethos Books.

Sa̒at, A. B. 2002. The Gospel of the Singapore Scowl According to X̒ Ho, BigO Magazine 202. http://www.bigomagazine.com/archive/ARfeatures/ARxho.html.

Sinclair, I. 1997. Lights Out For The Territory. London: Penguin.

Slater, B. 2007. Speaking in Tongues. Time Out Singapore, June 29.http://www.timeoutsingapore.com/film/feature/speaking-in-tongues.

Chapter 5: Fiction, Interrupted

Chaiworaporn, A. 1997. The Alternatives. The Nation Weekend. March 28.

Hamilton, A. 1992. Family dramas: Film and Modernity in Thailand. Screen 33:3, 259–273.

Jackson, P. A. 2004. The Thai Regime of Images. Sojourn, Vol. 19, No. 2, 181–218.

Musikawong, Sudarat. 2007. Working Practices in Thai Independent Film Production and Distribution. Inter-Asia Cultural Studies, Vol. 8, Nr. 2, 248–261.

Nagavajara, Chetana. 1996. Comparative Literature from a Thai Perspective. Collected Articles 1978–1992. Bangkok: Chulalongkorn University Press.

Rutin, Mattani Mojdara. 1996. Dance, Drama, and Theatre in Thailand. The Process of Development and Modernization. Chiang Mai: Silkworm Books.

White, T. R. 2002: Pontianaks and the Issue of Verisimilitude in Singaporean Cinema.http://www.spi.com.sg/spi_files/pontianak/main11.htm.

Chapter 6: Cinema, Sexuality and Censorship in Post-Soeharto Indonesia

Allen, P. 2007. Challenging Diversity?: Indonesia's Anti-Pornography Bill. Asian Studies Review 31 no. 2, 2007: 101–115.

Anderson, B. 1991. Imagined Communities: Reflection on the Origin and Spread of Nationalism. London/New York: Verso.

Brenner, S. 1999. On the Public Intimacy of the New Order: Images of Women in the Popular Indonesian Print Media. Indonesia Mo. 67, April, 13–37.

(p.267) Dinata, N. Interview by author. New York: April 24, 2008.

Djajadiningrat-Nieuwenhuis, M. 1987. Ibuism and Priyayization: Path to Power? In Locher-Scholten, E.; A. Niehofs (eds.) Indonesian Women in Focus. Dordrecht: Foris, 43–51.

Dwyer, L. K. 2000. Spectacular Sexuality: Nationalism, Development and the Politics of Family Planning in Indonesia. In Mayer, T. (ed.). Gender Ironies of Nationalism: Sexing the Nation. London/New York: Routledge, 25–64.

Mayer, T. (ed.). 2000. Gender Ironies of Nationalism: Sexing the Nation. London/New York: Routledge.

MFI Website http://masyarakatfilmindonesia.wordpress.com.

Mohanty, C. T. 1984. Under Western Eyes: Feminist Scholarship and Colonial Discourses. In Chandra, T. M.; A. Russo; L. Torres (eds.). Third World Women and the Politics of Feminism. Bloomington/Indianapolis: Indiana University Press, 51–80.

Mosse, G. L. 1985. Nationalism and Sexuality: Middle-Class Morality and Sexual Norms in Modern Europe. Wisconsin: The University of Wisconsin Press.

Perempuan Punya Cerita: Acuan Diskusi Isu Perempuan (Chants of Lotus: A Reference to Discuss Women's Issues). 2008. Antara News. January 18. http://www.antara.co.id/view/?i=1200660156&c=SBH&s=.

Said, Salim. 1991. Shadows on the Silver Screen: A Social History of Indonesian Film. Jakarta: Lontar Foundation.

Sen, Krishna. 1994. Indonesian Cinema: Framing the New Order. London/New Jersey: Zed Books Ltd., 1994.

Suryakusuma, J. 1996. The State and Sexuality in New Order Indonesia. In Sears, L.S. (ed.). Fantasizing the Feminine in Indonesia. Durham/London: Duke University Press, 92–119.

Spyer, P. Some Signs of the Times in Post-Soeharto Indonesia.http://www.knaw.nl/indonesia/transition/workshop/2004_13.pdf.

Tedjasukmana, J. 2006. Indonesia's Skin Wars. Time. April 3. http://www.time.com/time/magazine/article/0,9171,501060410–1179416,00.html.

Van Wichelen, S. 2007. Reconstructing ‘Muslimness’: New Bodies in Urban Indonesia. In Atkinson, C. (ed.). Geographies of Muslim Identities: Diaspora, Gender and Belonging, Hampshire/Burlington: Ashgate, 93–108.

Wieringa, S. 2002. Sexual Politics in Indonesia. New York: Palgrave Macmillan, 2002.

Chapter 7: Independent Versus Mainstream Islamic Cinema in Indonesia

Andan, M. 2008. Director's Profile: Making Movies is Part of My Prayer. In Kristanto, JB; Rahman, L. (eds). Indonesia Film Catalogue 2008, Jakarta: Nalar, 18–24.

Ardhia, Zul. 2008. Interview with the Author.

Black, G. D. 1998. The Catholic Crusade Against the Movies. New York: Cambridge University Press.

Chisaan, C. 2008. Lesbumi: Strategi Politik Kebudayaan. Jakarta: LKIS.

Haryadi, R. 2008. Saat Bioskop Jadi Majelis Taklim: Sihir Film Ayat-Ayat Cinta. Jakarta: Hikmah.

(p.268) Imanjaya, E. 2008. Wajah Islam dan Umatnya dalam Film Indonesia 2008. Seputar Indonesia Daily, October 20.http://ekkyij.multiply.com/journal/item/104/Wajah_Islam_dan_Umatnya_dalam_Film_Indonesia_2008.

Knee, A. 2007. Report on the Third Annual New Southeast Asian Cinemas Conference. Asian Cinema, Fall/Winter, 124–127.

Kristanto, JB. 2008. Katalog Film Indonesia 1926–2005. Jakarta: Nalar.

Kusuma, V.; I. Haryanto. 2007. Sensor Film di Indonesia. In Haryanto, I. (ed.). Ketika Sensor Tak Mati-Mati., Jakarta: Kalam.

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Ricklefs, M.C. 2001. A History of Modern Indonesia Since C. 1200. Stanford: Stanford University Press.

Salim, H. 2008. Filmisasi Karya-Karya Sastra Islami. http://haisa.wordpress.com/2008/09/02/filmisasi-karya-karya-sastra-islami.

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Vickers, A. 2005. A History of Modern Indonesia. New York: Cambridge University Press.

Widodo, A. 2008. Writing for God: Piety and Consumption in Popular Islam. Inside Indonesia 93, Aug-Oct. http://www.insideindonesia.org/content/view/1121/47/.

Wijaya, Y. 2008. Four Films Got Over 1 Million Viewers. In Kristanto, JB; Rahman, L. (eds). Indonesia Film Catalogue 2008, Jakarta: Nalar, 136–139.

Wright, M. 2007. Religion and Film: An Introduction. London: IB Tauris.

Chapter 8: Observational Documentary Comes to Indonesia

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Aftab, Kaleem; A. Weltz. 2000. Fred Wiseman (Interview). Film West No 40. http://www.iol.ie/~galfilm/filmwest/40wiseman.htm.

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Budiardjo, C.; L. S. Liong. 1988. West Papua: The Obliteration of a People. Thornton Heath: Tapol.

Chauvel, R. 2001. The Backlash: Jakarta's Secret Strategy to deal with Papuan Nationalism. Inside Indonesia 67, July-Sept. http://www.insideindonesia.org/edition-67/the-backlash.

Chauvel, R. 2008. Rulers in their own country? Inside Indonesia 94, Oct-Dec 2008. http://insideindonesia.org/content/view/1128/47/.

Danusiri, A. 2005. Filming Indonesia: Between Mythical and Critical Multiculturalism. Included in the DVD Three Documentaries About Aceh by Aryo Danusiri. Melbourne: Between Three Worlds DVD, Monash Asia Institute.

Hanan, David: Political Documentaries about Aceh by Aryo Danusiri: Between Anthropology and Current Affairs. Included in the DVD Three Documentaries About Aceh by Aryo Danusiri. Melbourne: Between Three Worlds DVD, Monash Asia Institute.

Hanan, D. 2008. Garin Nugroho's West Papuan Films: The West Papuan Spring and its Aftermath. Proceedings of the 17th Biennial Conference of the ASAA, Melbourne, Australia. http://www.arts.monash.edu.au/mai/asaa/davidhanan.pdf.

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Ishizaka, K. 1999. An Interview with Garin Nugroho. Documentary Box 14. http://www.yidff.jp/docbox/14/box14-2-1-e.html.

Melalatoa, M. J. 2001. Didong, Pentas Kreativitas Gayo. Jakarta: Yayasan Obor Indonesia.

Nichols, B. 1991. Representing Reality: Issues and Concepts in Documentary. Bloomington/Indianapolis: Indiana University Press.

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Williams, D.; H. Grace (eds.). 2008. Studies in Documentary Film, Vol 2, No 2, December.

Chapter 20: The Page and the (Video) Camera

Lim, D. 2008. Kuala L'Impure: The Cinema of Amir Muhammad. In Atkinson, M. (ed). Exile Cinema: Filmmakers at Work Beyond Hollywood, Albany: State University of New York Press. 27–40.

McKay, B. 2006. The Last Communist: A documentary about Chin Peng without Chin Peng. Criticine, October 23. http://www.criticine.com/review_article.php?id=19.

Lopate, P. 1998. Totally, Tenderly, Tragically: Essays and Criticism from a Lifelong Love Affair with the Movies. New York: Anchor Books.

McKay, B. 2005. A Conversation with Amir Muhammad. Criticine, October 13. http://www.criticine.com/interview_article.php%3fid=18.

McKay, B. 2010. Reclaiming History: The Politics of Memory and Trauma in the Films of Amir Muhammad. In: Guan, Yeoh Seng (ed.). Media, Culture and Society in Malaysia, New York: Routledge Chapman & Hall.

Muhammad, A. 2008. Impulsive Instants. Catalogue of the 44th Mostra Internazionale del Nuovo Cinema di Pesaro. Mostra Internazionale del Nuovo Cinema: Pesaro, 98.

The Big Durian Website http://thebigdurian.tripod.com/production/index.html.

The Last Communist Blog http://lastcommunist.blogspot.com. (p.270)