Contents
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A Time for Freedom A Time for Freedom
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A Time for Love A Time for Love
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A Time for Youth A Time for Youth
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1 Framing Taiwan Cinema: Perspectives on History in Hou Hsiao-hsien’s Three Times
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Published:November 2014
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Abstract
The first chapter of this book, “Framing Taiwan Cinema: Perspectives on History in Hou Hsiao-hsien’s Three Times”, which is intended to be read alongside a screening of Hou Hsiao-hsien’s 2005 film Three Times, provides an accessible introduction to Taiwan cinema by synthesizing in one location key moments in Taiwan’s film history. While the locus of this chapter is Taiwan’s Mandarin state films, the chapter includes intersections with other national film traditions and describes how Mandarin film gradually replaced the vibrant Taiwanese-dialect film (taiyu pian) tradition in the 1970s. In order to do so, it traces the era’s prominent figures, movements, and dates. This includes a summary of Taiwan film in the early 1960s, the influence of Hong Kong film, especially in 1963, with director Li Hanxiang’s The Love Eterne (Liang Shanbo yu Zhu Yingtai), a brief account of Taiwan’s so-called “golden age” film in the early 1970s, patriotic war films of the mid-1970s, and adaptations of nativist literature by the state in late 1970s films. Overall, this chapter provides an overview of Taiwan cinema and places in position a scaffolding of historical details and information essential for the analyses presented in the following chapters.
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