Jump to ContentJump to Main Navigation
Boys' Love, Cosplay, and Androgynous IdolsQueer Fan Cultures in Mainland China, Hong Kong, and Taiwan$
Users without a subscription are not able to see the full content.

Maud Lavin, Ling Yang, and Jing Jamie Zhao

Print publication date: 2017

Print ISBN-13: 9789888390809

Published to Hong Kong Scholarship Online: January 2018

DOI: 10.5790/hongkong/9789888390809.001.0001

Show Summary Details
Page of

PRINTED FROM HONG KONG SCHOLARSHIP ONLINE (www.hongkong.universitypressscholarship.com). (c) Copyright Hong Kong University Press, 2018. All Rights Reserved. Under the terms of the licence agreement, an individual user may print out a PDF of a single chapter of a monograph in HKSO for personal use (for details see www.hongkong.universitypressscholarship.com/page/privacy-policy).date: 23 September 2018

Desiring Queer, Negotiating Normal

Desiring Queer, Negotiating Normal

Denise Ho (HOCC) Fandom before and after the Coming-Out

Chapter:
(p.131) 7 Desiring Queer, Negotiating Normal
Source:
Boys' Love, Cosplay, and Androgynous Idols
Author(s):

Eva Cheuk Yin Li

Publisher:
Hong Kong University Press
DOI:10.5790/hongkong/9789888390809.003.0008

This chapter explores the entanglement between queer desires and struggles with normativities in fandoms through the case study of Denise Ho (a.k.a. HOCC) in Hong Kong. HOCC is one of the few celebrities in the Chinese-language entertainment industry to have come out as a lesbian. Data is drawn from participant observation and semi-structured interviews with 29 fans between 2009 and 2014. By analyzing the interplay between Hong Kong sexual cultures, fans’ everyday lives, and fans’ interactions with global media, it is found that fans struggled with negotiating HOCC’s gender and sexuality and their own before HOCC’s coming-out, leading to the paradoxical celebration and self-policing of queer reading at the same time. HOCC’s coming out in 2012 has significantly reshaped her queer fandom. It is observed that fans have turned their attention to the negotiation of HOCC’s “proper” lesbian embodiment as the “correct” representation of the LGBT/tongzhi movement. By revealing the complex relations between heteronormativity and homonormativity, this chapter concludes that HOCC fans in Hong Kong, who are situated within macrostructural and micropolitical forces, desire to be queer by transgressing normal and paradoxically desire to be normal by tactically negotiating the limits of queer.

Keywords:   Androgyny, Cantopop, Celebrity Activism, Heteronormativity, Homonormativity, Hong Kong Popular Culture, Queer Politics, Tongzhi, Zhongxing

Hong Kong Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us .