Browse

Observing that the division between theory and empiricism remains inextricably linked to imperial modernity, manifest at the most basic level in the binary between "the West" and "Asia," the authors of this volume reexamine art and aesthetics to challenge these oppositions in order to reconceptualize politics and knowledge production in East Asia. Current understandings of fundamental ideas like race, nation, colonizer and the colonized, and the concept of Asia in the region are seeped with imperial aesthetics that originated from competing imperialisms operating in the twentieth and twenty-first centuries. Such aesthetics has sustained both colonial and local modes of perception in the formation of nation-states and expanded the reach of regulatory powers in East Asia since 1945. The twelve thought-provoking essays in thiscollectiontackle the problematics that arise at the nexus of aesthetics and politics in four areas: theoretical issues of aesthetics and politics in East Asia, aesthetics of affect and sexuality, the productive tension between critical aesthetics and political movements, and aesthetic critiques of sovereignty and neoliberalism in East Asia today. If the seemingly universal operation of capital and militarism in East Asia requires locally specific definitions of biopolitical concepts to function smoothly, this book critiques the circuit of power between the universalism of capital and particularism of nation and culture. Treating aesthetic experiences in art at large as the bases for going beyond imperial categories, the contributors present new modes of sensing, thinking, and living that have been unimaginable within the mainstream modality of Asian studies, a discipline that has reproduced the colonial regime of knowledge production.

A Chinese Melting Pot: Original People and Immigrants in Hong Kong’s First ‘New Town’ traces the transformation of Tsuen Wan from a poor and marginal district of agricultural villages, culturally distinctive in that all were Hakka. Like others present in the New Territories in 1898, they enjoyed special privileges under British colonialism as ‘original inhabitants’. This study is focused, in part, on one of their villages: its history, lineages, relationships among and through women, and their songs and laments. In the aftermath of the Japanese occupation and revolution in China, the town, with its daily coastal market, rapidly grew into a major industrial area and assumed an intense, if chaotic, urban form. Its industries attracted enormous numbers of immigrants from China, who created a large variety of voluntary associations to ease their adaptation to the new environment, while the original inhabitants, as property owners, benefited financially from the immigrants’ need for housing, and politically from continuing government support. In the 1980s, changes in economic policies in China led to Tsuen Wan’s present post-industrial form. The original inhabitants remain as a small fragment of the population, their villages intact, although re-sited away from the town centre as part of greatly increased government intervention in creating a planned ‘new town’. Their language and traditions are disappearing as they, like the immigrants, are absorbed into the wider Hong Kong lifestyle.

As part of the paradigm shift from the transatlantic to the transpacific in transnational American studies, this volume not only offers critical ways in which we rethink American exceptionalism, but it also engages the critical visions represented by New American studies, Asian studies, Asian American studies, and Pacific studies. By calling attention to the “oceanic archives” and indigenous epistemologies, the volume addresses colonialism and imperialism at their roots from both sides of the colonizer and the colonized and articulates what has been central to de-colonial thinking—indigenous epistemologies and ontologies, non-Western knowledge production and dissemination. As the transpacific continues to hold the global spotlight as moments of military, cultural, and geopolitical contentions as well as spaces of economic integration, negotiation, and resistance on national and global scales, we develop transpacificAmerican studies as the new cutting-edge in transnational American studies, global studies, and postcolonial studies.The essays collected in the volume recover the early oceanic archives to remap transpacific movements in different directions and at different moments, interrogate the colonial archives to reinvent indigenous ontologies and epistemologies,explore alternative oceanic archives to develop competing visions and forms of the transpacific. Above all, it speculates upon new directions in which transpacific American studies may pursue.

Tales of Hope and Tastes of Bitterness sheds light on Chinese-led development from below, revealing its contested nature. Zooming in on everyday encounters between Chinese managers and Ethiopian laborers on a road construction site in Tigray, northern Ethiopia, the book shows that Ethiopians define Chinese-led development as much as they are defined by it. By mobilizing civic and legal authorities, Ethiopian workers have managed to increase their leverage to such a degree that they occasionally outplay Chinese management. On the other hand, Chinese narratives of bitterness reveal that Chinese road builders perceive themselves as lacking agency. Speaking, as they do, of thwarted goodwill, these narratives are not only linked to the everyday challenges of Chinese–Ethiopian encounters and the chasm between their confident expectations and the much less rosy realities on the ground, but also to workers’ socioeconomic backgrounds and their state of suspension, as they try to stay afloat in the competitive Chinese society to which they hope one day to return.