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Large public screens have now become a ubiquitous part of the contemporary cityscape. Far from being simply oversized televisions, the media experts contributing to Ambient Screens and Transnational Public Spaces put forward a strong case that such screens could serve as important sites for cultural exchange. Advances in digital technology spell the possibilities of conducting mobile modes of interaction across national boundaries, and in the process expose the participants to novel sensory experiences, giving rise to a new form of public culture. Understanding this phenomenon calls for a reconceptualization of "public space" and "ambience," as well as connecting the two concepts with each other. This pioneering study of the impact of media platforms on urban cultural life presents a theoretical analysis and a history of screens, followed by discussions of site-specific urban screen practices on five continents. There is also a substantial examination of the world's first real-time cross-cultural exchange via the networking of large public screens located in Melbourne and Seoul.

This is a biography of Anna May Wong, legendary Chinese American actress. Its covers her upbringing as second-generation Chinese America in Los Angeles. It uncovers early career in Silent Films, struggling to maximize value of her popularity move to Europe to gain greater fame and resist stereotyped racial roles. The book reflects her immense stardom in 1920s and 1930s and controversy over yellow-face casting in film The Good Earth. The reaction to Wong in Europe and her controversial reputation in China are also discussed. The book also mentioned her fifty-five films, television and radio shows and stage performances. Her personal struggles and accomplishments, support for China during World War II and later life can be seen through the book. It concludes with Wong's impact on Asian American cinema.

In this book, an international group of contributors provide a multi-layered analysis of the emerging East Asian media culture, using the Korean TV drama as its analytic vehicle. This collection of essays is also the result of a workshop organized by the Cultural Studies in Asia Research Cluster at the Asia Research Institute, National University of Singapore. The aim of the Cluster is to promote collaborative research in contemporary cultural practices which are influenced by intensifying transnational exchanges across historical, linguistic and cultural boundaries in Asia.

Despite persistent pressure from state censors and other tools of political control, investigative journalism has flourished in China over the last decade. This volume looks at investigative journalism in China, including insider accounts from reporters behind some of China's top stories in recent years, and giving readers a sense of how journalism is practiced in China. While many outsiders hold on to the stereotype of Chinese journalists as docile, subservient Party hacks, a number of brave Chinese reporters have exposed corruption and official misconduct with striking ingenuity and often at considerable personal sacrifice. Subjects have included officials pilfering state funds, directors of public charities pocketing private donations, businesses fleecing unsuspecting consumers—even the misdeeds of journalists themselves. These case studies address critical issues of commercialization of the media, the development of ethical journalism practices, the rising specter of “news blackmail,” negotiating China's mystifying bureaucracy, the dangers of libel suits, and how political pressures impact different stories. During fellowships at the Journalism & Media Studies Centre of the University of Hong Kong, these narratives and other background materials were fact-checked and edited by JMSC staff to address critical issues related to the media transitions currently under way in the PRC.

Phone-in programs on public and commercial radio channels have been a staple of popular Hong Kong politics since the 1990s. In the absence of a fully democratic system, they have played an influential role in channeling and mediating public opinion. This work examines the phenomenon of talk radio in Hong Kong, using as its analytical framework the idea of remediation. It argues that the circulation and re-circulation of talk radio content through the mainstream media is crucial in explaining the medium's social prominence and influence. The process has not only widened the dissemination of talk radio content, but also established talk radio as a channel as well as a symbol for free political expression, giving it a role in shaping serious debate not seen in many other societies. Drawing on interviews with radio personnel, analysis of radio and newspaper content, and audience surveys, Talk Radio explores the vital and influential world of Hong Kong's phone-in programs. The book will be of interest to scholars of politics, media studies, and cultural studies both in Hong Kong and overseas.