Monica Chiu (ed.)
- Published in print:
- 2014
- Published Online:
- May 2015
- ISBN:
- 9789888139385
- eISBN:
- 9789888313242
- Item type:
- book
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789888139385.001.0001
- Subject:
- Literature, 20th-century Literature and Modernism
The global circulation of comics, manga, and other such visual mediums between North America and Asia produces transnational meanings no longer rooted in a separation between “Asian” and “American.” ...
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The global circulation of comics, manga, and other such visual mediums between North America and Asia produces transnational meanings no longer rooted in a separation between “Asian” and “American.” Drawing New Color Lines explores the culture, production, and history of contemporary graphic narratives that depict Asian Americans and Asians. It examines how Japanese manga and Asian popular culture have influenced Asian American comics; how these comics and Asian American graphic narratives depict the “look” of race; and how these various representations are interpreted in nations not of their production. By focusing on what graphic narratives mean for audiences in North America and those in Asia, the collection discusses how Western theories about the ways in which graphic narratives might successfully overturn derogatory caricatures are themselves based on contested assumptions; and illustrates that the so-called odorless images featured in Japanese manga might nevertheless elicit interpretations about race in transnational contexts. With contributions from experts based in North America and Asia, Drawing New Color Lines will be of interest to scholars in a variety of disciplines, including Asian American studies, cultural and literary studies, comics and visual studies.Less
The global circulation of comics, manga, and other such visual mediums between North America and Asia produces transnational meanings no longer rooted in a separation between “Asian” and “American.” Drawing New Color Lines explores the culture, production, and history of contemporary graphic narratives that depict Asian Americans and Asians. It examines how Japanese manga and Asian popular culture have influenced Asian American comics; how these comics and Asian American graphic narratives depict the “look” of race; and how these various representations are interpreted in nations not of their production. By focusing on what graphic narratives mean for audiences in North America and those in Asia, the collection discusses how Western theories about the ways in which graphic narratives might successfully overturn derogatory caricatures are themselves based on contested assumptions; and illustrates that the so-called odorless images featured in Japanese manga might nevertheless elicit interpretations about race in transnational contexts. With contributions from experts based in North America and Asia, Drawing New Color Lines will be of interest to scholars in a variety of disciplines, including Asian American studies, cultural and literary studies, comics and visual studies.
Douglas Kerr
- Published in print:
- 2008
- Published Online:
- September 2011
- ISBN:
- 9789622099340
- eISBN:
- 9789882206892
- Item type:
- book
- Publisher:
- Hong Kong University Press
- DOI:
- 10.5790/hongkong/9789622099340.001.0001
- Subject:
- Literature, 20th-century Literature and Modernism
This is a literary history that examines British writing about the East—centred on India but radiating as far as Egypt and the Pacific—in the colonial and postcolonial period. It takes as its subject ...
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This is a literary history that examines British writing about the East—centred on India but radiating as far as Egypt and the Pacific—in the colonial and postcolonial period. It takes as its subject “the East” that was real to the British imagination, largely the creation of writers who described and told stories about it, descriptions and stories coloured by the experience of empire and its aftermath. The book discusses the work of writers such as Stevenson, Kipling, Conrad, and Orwell, but also covers less-well-known literary authors, including Anglo-Indian romance writing, the reports and memoirs of administrators, and travel writing from Auden and Isherwood in China to Redmond O'Hanlon in Borneo. It produces a history of this writing by looking at a series of “figures” or tropes of representation through which successive writers sought to represent the East and the British experience of it—tropes such as exploring the hinterland, going native, and the figure of rule itself. The book raises issues of identity and representation; power and knowledge; and, centrally, the question of how to represent other people.Less
This is a literary history that examines British writing about the East—centred on India but radiating as far as Egypt and the Pacific—in the colonial and postcolonial period. It takes as its subject “the East” that was real to the British imagination, largely the creation of writers who described and told stories about it, descriptions and stories coloured by the experience of empire and its aftermath. The book discusses the work of writers such as Stevenson, Kipling, Conrad, and Orwell, but also covers less-well-known literary authors, including Anglo-Indian romance writing, the reports and memoirs of administrators, and travel writing from Auden and Isherwood in China to Redmond O'Hanlon in Borneo. It produces a history of this writing by looking at a series of “figures” or tropes of representation through which successive writers sought to represent the East and the British experience of it—tropes such as exploring the hinterland, going native, and the figure of rule itself. The book raises issues of identity and representation; power and knowledge; and, centrally, the question of how to represent other people.
Postcolonialism, Diaspora, and Alternative Histories
From Warhorses to Ploughshares
The Golden Ghetto
Judaism, Christianity and Islam
The Sensuous Cinema of Wong Kar-wai
Transnational Representations
Free Trade's First Missionary
Talk Radio, the Mainstream Press, and Public Opinion in Hong Kong
