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Bettinson, G. (2014-11-01). Partial Views: Visual Style and the Aesthetic of Disturbance. In The Sensuous Cinema of Wong Kar-wai: Film Poetics and the Aesthetic of Disturbance. : Hong Kong University Press. Retrieved 7 Jul. 2022, from https://hongkong.universitypressscholarship.com/view/10.5790/hongkong/9789888139293.001.0001/upso-9789888139293-chapter-3.
Bettinson, Gary. "Partial Views: Visual Style and the Aesthetic of Disturbance." The Sensuous Cinema of Wong Kar-wai: Film Poetics and the Aesthetic of Disturbance. : Hong Kong University Press,
21. Hong Kong Scholarship Online. Date Accessed 7 Jul. 2022 <https://hongkong.universitypressscholarship.com/view/10.5790/hongkong/9789888139293.001.0001/upso-9789888139293-chapter-3>.
Bettinson, Gary. "Partial Views: Visual Style and the Aesthetic of Disturbance." In The Sensuous Cinema of Wong Kar-wai: Film Poetics and the Aesthetic of Disturbance. Hong Kong University Press, 2014. Hong Kong Scholarship Online, 2015. doi: 10.5790/hongkong/9789888139293.003.0003.
Bettinson G. Partial Views: Visual Style and the Aesthetic of Disturbance. In: The Sensuous Cinema of Wong Kar-wai: Film Poetics and the Aesthetic of Disturbance. Hong Kong University Press; 2014. https://hongkong.universitypressscholarship.com/view/10.5790/hongkong/9789888139293.001.0001/upso-9789888139293-chapter-3. Accessed July 7, 2022.