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Qian Qianyi's Reflections on Yellow MountainTraces of a Late-Ming Hatchet and Chisel$
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Qian Qianyi's Reflections on Yellow Mountain: Traces of a Late-Ming Hatchet and Chisel

Stephen McDowall

Print publication date: 2009

Print ISBN-13: 9789622090842

Published to Hong Kong Scholarship Online: September 2011

DOI: 10.5790/hongkong/9789622090842.001.0001

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PRINTED FROM HONG KONG SCHOLARSHIP ONLINE (www.hongkong.universitypressscholarship.com). (c) Copyright Hong Kong University Press, 2021. An individual user may print out a PDF of a single chapter of a monograph in HKSO for personal use.date: 28 September 2021

Epilogue

Epilogue

Chapter:
(p.147) Epilogue
Source:
Qian Qianyi's Reflections on Yellow Mountain
Author(s):

Stephen McDowall

Publisher:
Hong Kong University Press
DOI:10.5790/hongkong/9789622090842.003.0008

As the late-Ming world neared its end taking with it the open culture it had fostered, this proved to be a challenge for the educated élite as they had to transition into the new era of Qing rule. The censorship of Qian's works and the posthumous denunciation of him by the Qianlong Emperor meant that his art was in danger of being erased from the literary scene. Although the emperor ruled in 1769 that all volumes of Qian's works be burned, such efforts proved to be unsuccessful.

Keywords:   Qing rule, Qianlong Emperor, transition, late-Ming

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