Show Summary Details
- Title Pages
- Acknowledgments
- Contributors
- Introduction
-
1 Framing Ambient Unheimlich: Ecoggedon, Ecological Unconscious, and Water Pathology in New Chinese Cinema -
2 Gorgeous Three Gorges at Last Sight: Cinematic Remembrance and the Dialectic of Modernization -
3 Submerged Ecology and Depth Psychology in Wushan yunyu: Aesthetic Insight into National Development -
4 Floating Consciousness: The Cinematic Confluence of Ecological Aesthetics in Suzhou River -
5 The Idea-Image: Conceptualizing Landscape in Recent Martial Arts Movies -
6 Façades: The New Beijing and the Unsettled Ecology of Jia Zhangke’s The World -
7 Ruins and Grassroots: Jia Zhangke’s Cinematic Discontents in the Age of Globalization -
8 Of Humans and Nature in Documentary: The Logic of Capital in West of the Tracks and Blind Shaft -
9 Toward a Hong Kong Ecocinema: The Dis-appearance of “Nature” in Three Films by Fruit Chan -
10 A City of Disappearance: Trauma, Displacement, and Spectral Cityscape in Contemporary Chinese Cinema -
11 In the Face of Developmental Ruins: Place Attachment and Its Ethical Claims -
12 Ning Hao’s Incense: A Curious Tale of Earthly Buddhism -
13 Putting Back the Animals: Woman-Animal Meme in Contemporary Taiwanese Ecofeminist Imagination -
14 “Reconstructing the God-Fearing Community”: Filming Tibet in the Twenty-First Century - Chinese Glossary
- Filmography
- Bibliography
- Index
(p.325) Chinese Glossary
(p.325) Chinese Glossary
- Source:
- Chinese Ecocinema
- Publisher:
- Hong Kong University Press
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- Title Pages
- Acknowledgments
- Contributors
- Introduction
-
1 Framing Ambient Unheimlich: Ecoggedon, Ecological Unconscious, and Water Pathology in New Chinese Cinema -
2 Gorgeous Three Gorges at Last Sight: Cinematic Remembrance and the Dialectic of Modernization -
3 Submerged Ecology and Depth Psychology in Wushan yunyu: Aesthetic Insight into National Development -
4 Floating Consciousness: The Cinematic Confluence of Ecological Aesthetics in Suzhou River -
5 The Idea-Image: Conceptualizing Landscape in Recent Martial Arts Movies -
6 Façades: The New Beijing and the Unsettled Ecology of Jia Zhangke’s The World -
7 Ruins and Grassroots: Jia Zhangke’s Cinematic Discontents in the Age of Globalization -
8 Of Humans and Nature in Documentary: The Logic of Capital in West of the Tracks and Blind Shaft -
9 Toward a Hong Kong Ecocinema: The Dis-appearance of “Nature” in Three Films by Fruit Chan -
10 A City of Disappearance: Trauma, Displacement, and Spectral Cityscape in Contemporary Chinese Cinema -
11 In the Face of Developmental Ruins: Place Attachment and Its Ethical Claims -
12 Ning Hao’s Incense: A Curious Tale of Earthly Buddhism -
13 Putting Back the Animals: Woman-Animal Meme in Contemporary Taiwanese Ecofeminist Imagination -
14 “Reconstructing the God-Fearing Community”: Filming Tibet in the Twenty-First Century - Chinese Glossary
- Filmography
- Bibliography
- Index
