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The Chinese ExoticModern Diasporic Femininity$
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Olivia Khoo

Print publication date: 2007

Print ISBN-13: 9789622098794

Published to Hong Kong Scholarship Online: September 2011

DOI: 10.5790/hongkong/9789622098794.001.0001

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Folding Chinese Boxes: Sensing the Chinese Exotic

Folding Chinese Boxes: Sensing the Chinese Exotic

Chapter:
(p.26) (p.27) 1 Folding Chinese Boxes: Sensing the Chinese Exotic
Source:
The Chinese Exotic
Author(s):

Olivia Khoo

Publisher:
Hong Kong University Press
DOI:10.5790/hongkong/9789622098794.003.0002

This chapter examines the theoretical foundations for the concept of the fold and outlines its principles as they relate to the Chinese exotic. The fold demonstrates a movement which negotiates competing discourses and formations on images of diasporic Chinese femininity. Films such as Chinese Box, The Pillow Book, and M. Butterfly fold into the imaginary of the everyday through cinema's creation of sensory effects. By employing the concept of synesthetic non-sense in a post-colonial context, it is possible to see how the Chinese exotic unfolds: like a Chinese box of effects and affects which opens out, folds back upon itself, and is filled with consumable synesthetic delights. The chapter also shows how the cultural products of everyday life, in particular food and fashion, represent and make sense of diasporic Chinese femininity.

Keywords:   fold, Chinese exotic, Chinese femininity, Chinese Box, Pillow Book, M. Butterfly, food, fashion

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