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East Asian Pop CultureAnalysing the Korean Wave$
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Beng Huat Chua and Koichi Iwabuchi

Print publication date: 2008

Print ISBN-13: 9789622098923

Published to Hong Kong Scholarship Online: September 2011

DOI: 10.5790/hongkong/9789622098923.001.0001

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PRINTED FROM HONG KONG SCHOLARSHIP ONLINE (www.hongkong.universitypressscholarship.com). (c) Copyright Hong Kong University Press, 2021. An individual user may print out a PDF of a single chapter of a monograph in HKSO for personal use.date: 27 September 2021

East Asian TV Dramas:

East Asian TV Dramas:

Identifications, Sentiments and Effects

Chapter:
(p.1) Introduction East Asian TV Dramas:
Source:
East Asian Pop Culture
Author(s):

Chua Beng Huat

Koichi Iwabuchi

Publisher:
Hong Kong University Press
DOI:10.5790/hongkong/9789622098923.003.0001

It is the arrival of the Japanese and Korean TV dramas that provides the material basis for a discursive conceptualization of an “East Asian pop culture” sphere with an integrated cultural economy. The flows and exchanges within this East Asian pop culture sphere are reviewed. The penetration of Korean TV dramas into East Asian markets in the late 1990s is the consequence of felicitous timing. Section I of this book explores the political economy and current state of play in the television industry in East Asia. The essays in Section II are then concerned with transnational-crosscultural receptions of TV dramas in different locations across East Asia. Section III outlines the nationalistic reactions and negative “backlash”, which are at once political and ideological, that might be generated by massive cultural cross-border regional flows, of the Korean Wave. It is hoped that it offers to readers further empirical and conceptual insights into cultural globalization, which cannot be ascertained in existing US-centric analyses.

Keywords:   Japanese TV dramas, Korean TV dramas, East Asian pop culture, cultural economy, political economy, television industry, Korean Wave, cultural globalization

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