Jump to ContentJump to Main Navigation
TV Drama in China$
Users without a subscription are not able to see the full content.

Ying Zhu, Michael Keane, and Ruoyun Bai

Print publication date: 2008

Print ISBN-13: 9789622099401

Published to Hong Kong Scholarship Online: September 2011

DOI: 10.5790/hongkong/9789622099401.001.0001

Show Summary Details
Page of

PRINTED FROM HONG KONG SCHOLARSHIP ONLINE (www.hongkong.universitypressscholarship.com). (c) Copyright Hong Kong University Press, 2021. An individual user may print out a PDF of a single chapter of a monograph in HKSO for personal use.date: 17 June 2021

From the Margins to the Middle Kingdom:

From the Margins to the Middle Kingdom:

Korean TV Drama’s Role in Linking Local and Transnational Production

Chapter:
(p.187) 13 From the Margins to the Middle Kingdom:
Source:
TV Drama in China
Author(s):

Dong-Hoo Lee

Publisher:
Hong Kong University Press
DOI:10.5790/hongkong/9789622099401.003.0014

This chapter examines South Korean drama and its rapid penetration into regional markets. Since the late 1990s, Korean popular culture has established a presence in Mainland China, Hong Kong SAR, Taiwan, Vietnam, and Japan. Korean television dramas have been at the forefront of the so-called Korean Wave, or hanliu, which has diversified the media and cultural landscape in Asia, in turn challenging the unilateral, top-down flow of globalization.

Keywords:   South Korea, popular culture, television dramas, Korean Wave, hanliu

Hong Kong Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us .