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John Woo’s The Killer$
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Kenneth E. Hall

Print publication date: 2009

Print ISBN-13: 9789622099562

Published to Hong Kong Scholarship Online: September 2011

DOI: 10.5790/hongkong/9789622099562.001.0001

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Conclusion

Conclusion

Chapter:
(p.80) (p.81) Conclusion
Source:
John Woo’s The Killer
Author(s):

Kenneth E. Hall

Publisher:
Hong Kong University Press
DOI:10.5790/hongkong/9789622099562.003.0008

John Woo's The Killer was central to the innovative quality of the new Hong Kong cinema. This film helped to filter Hollywood and European action and noir influences through the web of Chinese traditional motifs found in the chivalric tradition. The Killer brought Woo to the attention of critics in the West and helped thereby to foster the careers of younger Hong Kong, and Korean, filmmakers who in turn have drawn upon Woo's innovations to create their own original commentaries on the Woo corpus. Woo himself evaluates The Killer as one of his creative peaks. The hyperbolic romanticism and unabashed spirituality and sentiment often identified as essential to the Woo style, as well as the bravura visual approach, with its well-known elements of circling camera movement, quick editing, and focus on facial expressions, are all found in fully developed form in this film.

Keywords:   John Woo, The Killer, Hong Kong cinema, noir influences, chivalric tradition, Korean filmmakers

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