- Title Pages
- Dedication
- Series Preface
- Acknowledgements
-
1 Introduction: History beyond the Death Trips -
2 Authenticity and Independence: -
3 There Are Many Ways to Be Realistic -
4 The Art of Détournement -
5 In Search of the Ghostly in Context* -
6 In Search of the Ghostly in Urban Spaces* -
7 Epilogue: Grassrooting Cinematic Practices -
Appendix 1 Interview with Fruit Chan* -
Appendix 2 Funding Sources and Awards -
Made in Hong Kong / Xianggang zhizao (
)
- Bibliography
In Search of the Ghostly in Context*
In Search of the Ghostly in Context*
This chapter examines the surreal and ghostly elements in Fruit Chan's films. Hong Kong in Chan's “Handover Trilogy” is frequented by surreal, ghostly intrusions of various kinds. They are the allegorization of recalcitrant elements of the past that resist erasure. The surreal in Chan's films evokes the heavy weight of melancholic sentiment in “The Swan” and reminds us of the ambiguous status of the ghostly subjects. As ghosts always return with a story to tell, the ghostly subjects in Chan's films stubbornly persist in the space of the present that does not want them.
Keywords: surreal elements, ghostly elements, Fruit Chan, Handover Trilogy, The Swan, ghostly subjects, ghosts
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- Title Pages
- Dedication
- Series Preface
- Acknowledgements
-
1 Introduction: History beyond the Death Trips -
2 Authenticity and Independence: -
3 There Are Many Ways to Be Realistic -
4 The Art of Détournement -
5 In Search of the Ghostly in Context* -
6 In Search of the Ghostly in Urban Spaces* -
7 Epilogue: Grassrooting Cinematic Practices -
Appendix 1 Interview with Fruit Chan* -
Appendix 2 Funding Sources and Awards -
Made in Hong Kong / Xianggang zhizao (
)
- Bibliography
