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Fruit Chan's Made in Hong Kong$
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Esther M. K. Cheung

Print publication date: 2009

Print ISBN-13: 9789622099777

Published to Hong Kong Scholarship Online: September 2011

DOI: 10.5790/hongkong/9789622099777.001.0001

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Epilogue: Grassrooting Cinematic Practices

Epilogue: Grassrooting Cinematic Practices

Chapter:
(p.125) 7 Epilogue: Grassrooting Cinematic Practices
Source:
Fruit Chan's Made in Hong Kong
Author(s):

Esther M. K. Cheung

Publisher:
Hong Kong University Press
DOI:10.5790/hongkong/9789622099777.003.0007

The generic characteristics and subversion in Made in Hong Kong present a film of timeliness, both as a critical response to commercial genre films and as a self-sufficient narrative film. Chan “grassroots” the world by way of his do-it-yourself model, although he is not always alienated from the industry and the mainstream. Grassrooting the space of flows, involves creating pressure from the grassroots, inserting personal meaning by social actors, and developing autonomous expression and purposive horizontal communities. Fruit Chan achieved this kind of grassrooting and inspired other filmmakers to follow suit.

Keywords:   Made in Hong Kong, commercial genre, grassrooting, social actors, Fruit Chan

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