Epilogue: Grassrooting Cinematic Practices
Epilogue: Grassrooting Cinematic Practices
The generic characteristics and subversion in Made in Hong Kong present a film of timeliness, both as a critical response to commercial genre films and as a self-sufficient narrative film. Chan “grassroots” the world by way of his do-it-yourself model, although he is not always alienated from the industry and the mainstream. Grassrooting the space of flows, involves creating pressure from the grassroots, inserting personal meaning by social actors, and developing autonomous expression and purposive horizontal communities. Fruit Chan achieved this kind of grassrooting and inspired other filmmakers to follow suit.
Keywords: Made in Hong Kong, commercial genre, grassrooting, social actors, Fruit Chan
Hong Kong Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
Please, subscribe or login to access full text content.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs , and if you can't find the answer there, please contact us .
