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Cinema at the City's Edge$
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Yomi Braester and James Tweedie

Print publication date: 2010

Print ISBN-13: 9789622099845

Published to Hong Kong Scholarship Online: September 2011

DOI: 10.5790/hongkong/9789622099845.001.0001

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PRINTED FROM HONG KONG SCHOLARSHIP ONLINE (www.hongkong.universitypressscholarship.com). (c) Copyright Hong Kong University Press, 2020. An individual user may print out a PDF of a single chapter of a monograph in HKSO for personal use.date: 28 March 2020

Imaging the Globalized City: Rem Koolhaas, U-thèque, and the Pearl River Delta

Imaging the Globalized City: Rem Koolhaas, U-thèque, and the Pearl River Delta

Chapter:
(p.154) (p.155) 8 Imaging the Globalized City: Rem Koolhaas, U-thèque, and the Pearl River Delta
Source:
Cinema at the City's Edge
Author(s):

Chris Berry

Publisher:
Hong Kong University Press
DOI:10.5790/hongkong/9789622099845.003.0009

This chapter examines the imaging and the imagination of the Globalized City. It focuses on three texts to compare two different visions of one urban or conurban space that has emerged post globalization—the Pearl River Delta. Rem Koolhas has discussed the Globalized City in his essay called “The Generic City”, where he celebrates the postmodern tendencies of globalization towards homogenization, the erasure of history, and the loss of identity bemoaned by so many others. Another text examined is U-théque's documentary San Yuan Li, which emphasizes history and local specificity. The third text, Harvard Design School Project on the City: Great Leap Forward was edited by Koolhaas and this tracks the recent transformation and urbanization of the Pearl River Delta. The chapter concludes by suggesting that although the difference between Koolhaas's and U-théque's visions of the Globalized City is real, both of them are within the order of globalization.

Keywords:   Globalized City, globalization, Pearl River Delta, Rem Koolhas, The Generic City, U-théque, San Yuan Li, homogenization

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