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As Normal as PossibleNegotiating Sexuality and Gender in Mainland China and Hong Kong$
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Ching Yau

Print publication date: 2010

Print ISBN-13: 9789622099876

Published to Hong Kong Scholarship Online: September 2011

DOI: 10.5790/hongkong/9789622099876.001.0001

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PRINTED FROM HONG KONG SCHOLARSHIP ONLINE (www.hongkong.universitypressscholarship.com). (c) Copyright Hong Kong University Press, 2020. An individual user may print out a PDF of a single chapter of a monograph in HKSO for personal use.date: 26 May 2020

Porn Power: Sexual and Gender Politics in Li Han-hsiang’s Fengyue Films1

Porn Power: Sexual and Gender Politics in Li Han-hsiang’s Fengyue Films1

Chapter:
(p.113) 7 Porn Power: Sexual and Gender Politics in Li Han-hsiang’s Fengyue Films1
Source:
As Normal as Possible
Author(s):

Yau Ching

Publisher:
Hong Kong University Press
DOI:10.5790/hongkong/9789622099876.003.0008

This chapter seeks to queer a part of Hong Kong cinema history considered to be most heteronormative through studying some of the most controversial works of one of the most prolific and influential Chinese filmmakers. It specifically reviews the radical potential of the fengyue porn genre populated by nonmonogamous subjects and yinfus in dialoguing with Li Han-hsiang's own historical epics — primarily narratives of shrews and abject men — as well as “talking back to” (and laughing at) the increasingly normalizing times that through regulatory privatizing apparatuses privilege the modern monogamous marriage. It also examines the various ways in which Li's fengyue complicates the genre of pornography through subverting the sexual hierarchies assumed by film critics, inventing Chinese pornography as a different modernity than the colonial-Western, and seducing the audience — including men, women, and in betweens — through strategies such as recentering women's and polygamists' sexual and cross-gendered agency, and use of multiple perspectives and self-reflexive devices. In rewriting some of the possible meanings of some of Li Han-hsiang's key fengyue films, this essay seeks not to uncover the “truths” of sex or of porn, but rather to explore the various subject positions enabled by these texts and their authorship.

Keywords:   Li Han-hsiang, porn, Hong Kong, cinema history, fengyue films, yinfus, sex

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