Show Summary Details
- Title Pages
- List of Illustrations
- Acknowledgements
- Contributors
- Hong Kong Screenscapes:
-
1 Do We Hear the City?: Voices of the Stranger in Hong Kong Cinema -
2 Surfing with the Surreal in Tsui Hark's Wave: -
3 Ann Hui at the Margin of Mainstream Hong Kong Cinema -
4 Interview with Ann Hui: -
5 Urban Nomads, Exilic Reflections: -
6 Performing the Margins: -
7 Re-imagining Hong Kong–China from the Sidelines: -
8 Alternative Perspectives/Alternative Cinemas: -
9 Specters of Memory: -
10 Documenting Hong Kong: -
11 Between Times and Spaces: -
12 Hong Kong Cinema and the Film Essay: -
13 Between Comrade and Queer: -
14 Interview with Yau Ching: -
15 On Isaac Leung, Cyber Sex as Pseudo-Science: -
16 The Mistress and Female Sexuality -
17 Reimagining the Femme Fatale: - Index
(p.286) (p.287) Index
(p.286) (p.287) Index
- Source:
- Hong Kong Screenscapes
- Publisher:
- Hong Kong University Press
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- Title Pages
- List of Illustrations
- Acknowledgements
- Contributors
- Hong Kong Screenscapes:
-
1 Do We Hear the City?: Voices of the Stranger in Hong Kong Cinema -
2 Surfing with the Surreal in Tsui Hark's Wave: -
3 Ann Hui at the Margin of Mainstream Hong Kong Cinema -
4 Interview with Ann Hui: -
5 Urban Nomads, Exilic Reflections: -
6 Performing the Margins: -
7 Re-imagining Hong Kong–China from the Sidelines: -
8 Alternative Perspectives/Alternative Cinemas: -
9 Specters of Memory: -
10 Documenting Hong Kong: -
11 Between Times and Spaces: -
12 Hong Kong Cinema and the Film Essay: -
13 Between Comrade and Queer: -
14 Interview with Yau Ching: -
15 On Isaac Leung, Cyber Sex as Pseudo-Science: -
16 The Mistress and Female Sexuality -
17 Reimagining the Femme Fatale: - Index