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Intimating the SacredReligion in English Language Malaysian Fiction$
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Andrew Hock Soon Ng

Print publication date: 2011

Print ISBN-13: 9789888083213

Published to Hong Kong Scholarship Online: January 2012

DOI: 10.5790/hongkong/9789888083213.001.0001

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Irony and the Sacred in Lee Kok Liang's Fiction

Irony and the Sacred in Lee Kok Liang's Fiction

Chapter:
(p.69) 2 Irony and the Sacred in Lee Kok Liang's Fiction
Source:
Intimating the Sacred
Author(s):

Andrew Hock Soon Ng

Publisher:
Hong Kong University Press
DOI:10.5790/hongkong/9789888083213.003.0003

Lee Kok Liang's fiction, as noted by many scholars, is characterized by his use of irony to foreground socio-political injustices, and subjective helplessness in the face of overwhelming forces. This chapter, however, reads Lee's irony as undermining of religious systems premised on male agendas, in order to shift power and agency proffered by religion to women. It demonstrates how one of the principle male protagonists—a Buddhist monk—is often oblivious of his own secret and unacknowledgeable lack but pretends to be “in control”, when in truth, it is his enterprising sister who, camouflaged by her gender, is able to affect success for her brother's temple. The focus of this chapter is Lee's novel, Flowers in the Sky. This chapter will also briefly discuss one of Lee's lesser known short stories, “Ibrahim Something”, in which the problem of conversion to Islam by a non-Muslim in Malaysia is foregrounded in an uncompromising manner to show the vexed racial-religious tension that still exists within the socio-cultural fabric of this multiethnic and multifaith country.

Keywords:   Lee Kok Liang, irony, socio-political injustices, male agendas, gender, Flowers in the Sky, Islam

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