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The Pusan International Film Festival, South Korean Cinema and Globalization$
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SooJeong Ahn

Print publication date: 2011

Print ISBN-13: 9789888083589

Published to Hong Kong Scholarship Online: May 2012

DOI: 10.5790/hongkong/9789888083589.001.0001

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PRINTED FROM HONG KONG SCHOLARSHIP ONLINE (www.hongkong.universitypressscholarship.com). (c) Copyright Hong Kong University Press, 2021. An individual user may print out a PDF of a single chapter of a monograph in HKSO for personal use.date: 29 July 2021

Negotiating a Place between Korean Cinema and Asian Cinema: Programming Politics

Negotiating a Place between Korean Cinema and Asian Cinema: Programming Politics

Chapter:
(p.59) 2 Negotiating a Place between Korean Cinema and Asian Cinema: Programming Politics
Source:
The Pusan International Film Festival, South Korean Cinema and Globalization
Author(s):

Soojeong Ahn

Publisher:
Hong Kong University Press
DOI:10.5790/hongkong/9789888083589.003.0003

While PIFF sought to serve as a showcase for Asian cinema by strongly evoking transregional Asian identities, the festival also strove to promote the national film industry as a gateway to the global market for Korean films. This chapter reveals many of the tensions between national and local aspirations that helped shape PIFF's regional profile.

Keywords:   Peppermint Candy, Last Witness, Coast Guard, cultural politics, cultural industries

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