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Southeast Asian Independent Cinema$
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Tilman Baumgartel

Print publication date: 2012

Print ISBN-13: 9789888083602

Published to Hong Kong Scholarship Online: September 2012

DOI: 10.5790/hongkong/9789888083602.001.0001

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PRINTED FROM HONG KONG SCHOLARSHIP ONLINE (www.hongkong.universitypressscholarship.com). (c) Copyright Hong Kong University Press, 2020. An individual user may print out a PDF of a single chapter of a monograph in HKSO for personal use.date: 28 March 2020

Stealing Moments

Stealing Moments

A History of the Forgotten in Recent Singaporean Film

Chapter:
(p.51) 4 Stealing Moments
Source:
Southeast Asian Independent Cinema
Author(s):

Ben Slater

Publisher:
Hong Kong University Press
DOI:10.5790/hongkong/9789888083602.003.0005

In Singapore, ‘history’ is only permitted to make an appearance in the form of propaganda for the government’s milestones, or as water-coloured or sepia-tinted nostalgia for humbler, simpler times. Tan Pin Pin’s pair of hour-long documentaries “Singapore GaGa” (2005) and “Invisible City” (2007) are both acts of remembrance and documentation of Singapore´s history.

Keywords:   Independent Cinema, Southeast Asia, Singapore GaGa, Invisible City, Tan Pin Pin

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