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Southeast Asian Independent Cinema$
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Tilman Baumgartel

Print publication date: 2012

Print ISBN-13: 9789888083602

Published to Hong Kong Scholarship Online: September 2012

DOI: 10.5790/hongkong/9789888083602.001.0001

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PRINTED FROM HONG KONG SCHOLARSHIP ONLINE (www.hongkong.universitypressscholarship.com). (c) Copyright Hong Kong University Press, 2020. An individual user may print out a PDF of a single chapter of a monograph in HKSO for personal use.date: 28 February 2020

Cinema, Sexuality and Censorship in Post-Soeharto Indonesia

Cinema, Sexuality and Censorship in Post-Soeharto Indonesia

Chapter:
(p.69) 6 Cinema, Sexuality and Censorship in Post-Soeharto Indonesia
Source:
Southeast Asian Independent Cinema
Author(s):

Intan Paramaditha

Publisher:
Hong Kong University Press
DOI:10.5790/hongkong/9789888083602.003.0007

The essay explores the connection between the ways in which the new generation of Indonesian filmmakers channelled their aspiration through Masyarakat Film Indonesia/MFI and the larger discourse of post-Soeharto sexual politics. How do the new filmmakers see sexuality, and how does this perspective differ from that of the state? What is the significance of depicting sexuality in contemporary Indonesian cinema? The focus is on the debates around censorship between MFI and the Censorship Board in the Constitutional Court as well some films, particularly “Chants of Lotus” and “Women: In the Cut”, a documentary on how “Chants of Lotus” was afflicted by censorship.

Keywords:   Independent Cinema, Southeast Asia, Nia Dinata, In the Cut, Chants of Lotus, Indonesia, Sexuality, Censorship

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