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Southern Identity and Southern Estrangement in Medieval Chinese Poetry$
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Ping Wang and Nicholas Morrow Williams

Print publication date: 2015

Print ISBN-13: 9789888139262

Published to Hong Kong Scholarship Online: September 2015

DOI: 10.5790/hongkong/9789888139262.001.0001

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The Stele and the Drunkard

The Stele and the Drunkard

Two Poetic Allusions from Xiangyang

Chapter:
(p.165) 7 The Stele and the Drunkard
Source:
Southern Identity and Southern Estrangement in Medieval Chinese Poetry
Author(s):

Jie Wu

Publisher:
Hong Kong University Press
DOI:10.5790/hongkong/9789888139262.003.0007

The pond of the Xi family and Mount Xian are two sites in the city of Xiangyang that became prominent in history and poetry from the early medieval period. Their conventional depictions, as well as rebellions from convention, constitute a wide spectrum of literary topoi associated with the two places. Whatever the individual variations of particular poets on these familiar topoi, the fame of Xiangyang itself prospered. As the Jing-Chu region rose to distinction in medieval times, Chinese poets worked to refashion their own identities in light of the lore of this new region.

Keywords:   Xiangyang, Jing-Chu, Li Bai, Mount Xian, MengHaoran, stele of Yang Hu

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