Show Summary Details
- Title Pages
- Dedication
- Contributors
- Illustrations
- Acknowledgments
- Introduction
-
1 A Moment Outside of Time -
2 Asian/American Postethnic Subjectivity in Derek Kirk Kim’s Good as Lily, Same Difference and Other Stories, and Tune -
3 The Model Minority between Medical School and Nintendo -
4 In Plain Sight -
5 When the Monkey King Travels across the Pacific and Back - “Maybe It’s Time for a Little History Lesson Here”
-
7 Emotions as Landscapes -
8 From Fan Activism to Graphic Narrative -
9 (Re)Collecting Vietnam -
10 The Awesome and Mundane Adventures of Flor de Manila y San Francisco -
11 The “Japaneseness” of OEL Manga -
12 Manga-fying Yang’s American Born Chinese -
13 Skim as Girl -
14 Queering Manga -
15 Conveying New Material Realities - Index
(p.xiii) Illustrations
(p.xiii) Illustrations
- Source:
- Drawing New Color Lines
- Publisher:
- Hong Kong University Press
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- Title Pages
- Dedication
- Contributors
- Illustrations
- Acknowledgments
- Introduction
-
1 A Moment Outside of Time -
2 Asian/American Postethnic Subjectivity in Derek Kirk Kim’s Good as Lily, Same Difference and Other Stories, and Tune -
3 The Model Minority between Medical School and Nintendo -
4 In Plain Sight -
5 When the Monkey King Travels across the Pacific and Back - “Maybe It’s Time for a Little History Lesson Here”
-
7 Emotions as Landscapes -
8 From Fan Activism to Graphic Narrative -
9 (Re)Collecting Vietnam -
10 The Awesome and Mundane Adventures of Flor de Manila y San Francisco -
11 The “Japaneseness” of OEL Manga -
12 Manga-fying Yang’s American Born Chinese -
13 Skim as Girl -
14 Queering Manga -
15 Conveying New Material Realities - Index