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Lao She in London$
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Anne Witchard

Print publication date: 2012

Print ISBN-13: 9789888139606

Published to Hong Kong Scholarship Online: January 2013

DOI: 10.5790/hongkong/9789888139606.001.0001

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‘China is interesting, VERY’ (Ezra Pound, 1914)

‘China is interesting, VERY’ (Ezra Pound, 1914)

Chapter:
(p.35) Chapter 2 ‘China is interesting, VERY’ (Ezra Pound, 1914)
Source:
Lao She in London
Author(s):

Anne Witchard

Publisher:
Hong Kong University Press
DOI:10.5790/hongkong/9789888139606.003.0003

The events that would shape Lao She's emergence as one of China's most important new novelists happened in London, some 15 years before he arrived there, ‘on or around 1910’, the date to which Virginia Woolf would famously attribute the birth of modernism. This chapter outlines a trajectory of the ways in which the cultural landscape of the capital, until this point ‘extraordinarily provincial and chauvinistic’, was broadened by modernist interaction with China, taking Ezra Pound as the lynchpin of a global aesthetic exchange that, in its turn, would determine Hu Shi's prescriptions for Chinese writing after May Fourth. While China's own literary revolution would result from specific experiences of modernity that were indissoluble from the exigencies of colonialism, it was imperial expansion that gave rise to formations of artistic modernism in the West, prompted by the concentration of wealth and power in imperial capitals and a simultaneous access to subordinate ‘other’ cultures.

Keywords:   Ezra Pound, Laurence Binyon, Arthur Waley, Allen Upward, Harriet Monroe, Cathay (1915), BLAST, Vorticism, Imagism, Far-san T. Sung (Song Faxiang)

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