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Art WorldsArtists, Images, and Audiences in Late Nineteenth-Century Shanghai$
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Roberta Wue

Print publication date: 2014

Print ISBN-13: 9789888208463

Published to Hong Kong Scholarship Online: September 2017

DOI: 10.5790/hongkong/9789888208463.001.0001

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PRINTED FROM HONG KONG SCHOLARSHIP ONLINE (www.hongkong.universitypressscholarship.com). (c) Copyright Hong Kong University Press, 2020. An individual user may print out a PDF of a single chapter of a monograph in HKSO for personal use.date: 23 October 2020

Introduction

Introduction

Chapter:
(p.1) Introduction
Source:
Art Worlds
Author(s):

Roberta Wue

Publisher:
Hong Kong University Press
DOI:10.5790/hongkong/9789888208463.003.0001

Offers a history and historiography of Shanghai and Shanghai art before turning to the unique circumstances of the late nineteenth-century art world. Taking advantage of Shanghai’s marketplace, professional artists took on multiple roles as entrepreneurs, celebrities, entertainers and public figures as well as image-makers. Serving a large and anonymous urban clientele, artists made contact with their audiences via fan paintings, art advertising and Shanghai’s growing mass media. The introduction highlights the book’s new avenues of inquiry, ranging from art world infrastructures, histories of mass media, print and reception and its use of primary sources such as the newspaper advertisements, the industrially-produced book, artist writings and period guidebooks.

Keywords:   Shanghai, Shanghai School painting, Taiping rebellion, Mass media, Print culture, Guidebook culture, Art market, Chinese painting, Modernity, Fame

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