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Art WorldsArtists, Images, and Audiences in Late Nineteenth-Century Shanghai$
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Roberta Wue

Print publication date: 2014

Print ISBN-13: 9789888208463

Published to Hong Kong Scholarship Online: September 2017

DOI: 10.5790/hongkong/9789888208463.001.0001

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PRINTED FROM HONG KONG SCHOLARSHIP ONLINE (www.hongkong.universitypressscholarship.com). (c) Copyright Hong Kong University Press, 2020. An individual user may print out a PDF of a single chapter of a monograph in HKSO for personal use.date: 23 October 2020

Picturing the Shanghai Artist

Picturing the Shanghai Artist

Subjects and Audiences

Chapter:
(p.159) Chapter Four Picturing the Shanghai Artist
Source:
Art Worlds
Author(s):

Roberta Wue

Publisher:
Hong Kong University Press
DOI:10.5790/hongkong/9789888208463.003.0005

Looks at portraits of the art world produced by Shanghai’s best-known artist, Ren Bonian (1840-1896). Unique for their near-exclusive focus on art world sitters, these are portraits in which the artist collaborated with their subjects to investigate an array of artistic identities, from conventional renderings of the artist as scholar and gentleman, to unexpected depictions of artists as men about town, failures, sell-outs and beggars. These are images that exceed portraiture’s usual purpose of documenting likeness and social status, instead seeking to comment on the modern Chinese artist’s engagement with a complex and demanding urban market and art world.

Keywords:   Portraits, Professional courtesy, Posthumous images, Male fashion, Queues, Sobriquets, Persona

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