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Changing Chinese MasculinitiesFrom Imperial Pillars of State to Global Real Men$
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Louie Kam

Print publication date: 2016

Print ISBN-13: 9789888208562

Published to Hong Kong Scholarship Online: January 2017

DOI: 10.5790/hongkong/9789888208562.001.0001

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PRINTED FROM HONG KONG SCHOLARSHIP ONLINE (www.hongkong.universitypressscholarship.com). (c) Copyright Hong Kong University Press, 2021. An individual user may print out a PDF of a single chapter of a monograph in HKSO for personal use.date: 22 September 2021

The Postsocialist Working Class

The Postsocialist Working Class

Male Heroes in Jia Zhangke’s Films

Chapter:
(p.173) 9 The Postsocialist Working Class
Source:
Changing Chinese Masculinities
Author(s):

Sheldon Lu

Publisher:
Hong Kong University Press
DOI:10.5790/hongkong/9789888208562.003.0010

This chapter is a study of the portrayal of male characters in Jia Zhangke’s films. These films describe ordinary Chinese people caught in a historic yet troubled transition from a socialist planned economy to a capitalist market economy. Male heroes (or anti-heroes) are central characters in Jia’s films. The filmic depiction of Chinese masculinity in crisis partakes of a more general description of the aspirations as well as grievances of a whole generation of people in postsocialist China.

Keywords:   Jia Zhangke, postsocialism, working class, masculinity

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