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- Title Pages
- Acknowledgments
- Note on Romanization and Chinese and Japanese Names
- Introduction
- 1 Chinese <i>Danmei</i> Fandom and Cultural Globalization from Below
- 2 Cosplay, Cuteness, and <i>Weiniang</i>
- 3 “The World of Grand Union”
- 4 Queering the Post-<i>L Word</i> Shane in the “Garden of Eden”
- 5 From Online BL Fandom to the CCTV <i>Spring Festival Gala</i>
- 6 Dongfang Bubai, Online Fandom, and the Gender Politics of a Legendary Queer Icon in Post-Mao China
- 7 Desiring Queer, Negotiating Normal
- 8 Hong Kong–based Fans of Mainland Idol Li Yuchun
- 9 Exploring the Significance of “Japaneseness”
- 10 Girls Who Love Boys’ Love
- Works Cited
- Note on Contributors
- Index
(p.249) Index
(p.249) Index
- Source:
- Boys' Love, Cosplay, and Androgynous Idols
- Publisher:
- Hong Kong University Press
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- Title Pages
- Acknowledgments
- Note on Romanization and Chinese and Japanese Names
- Introduction
- 1 Chinese <i>Danmei</i> Fandom and Cultural Globalization from Below
- 2 Cosplay, Cuteness, and <i>Weiniang</i>
- 3 “The World of Grand Union”
- 4 Queering the Post-<i>L Word</i> Shane in the “Garden of Eden”
- 5 From Online BL Fandom to the CCTV <i>Spring Festival Gala</i>
- 6 Dongfang Bubai, Online Fandom, and the Gender Politics of a Legendary Queer Icon in Post-Mao China
- 7 Desiring Queer, Negotiating Normal
- 8 Hong Kong–based Fans of Mainland Idol Li Yuchun
- 9 Exploring the Significance of “Japaneseness”
- 10 Girls Who Love Boys’ Love
- Works Cited
- Note on Contributors
- Index
