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Metacinema in Contemporary Chinese Film$
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G. Andrew Stuckey

Print publication date: 2018

Print ISBN-13: 9789888390816

Published to Hong Kong Scholarship Online: September 2018

DOI: 10.5790/hongkong/9789888390816.001.0001

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Conclusion

Conclusion

Chapter:
(p.114) 7 Conclusion
Source:
Metacinema in Contemporary Chinese Film
Author(s):

G. Andrew Stuckey

Publisher:
Hong Kong University Press
DOI:10.5790/hongkong/9789888390816.003.0007

The “Conclusion” considers the interpretations offered in the previous individual chapters as a whole, intertwining those readings in order to propose a way of conceiving future prospects for Chinese film. The process of adopting, adapting, updating, or subverting technologies, tactics, genres, and so on reveals the modes of film’s possible development. Further, the affects generated by viewing films spur future creative acts. And by analogy, we the audience out in the real world are also subject to these affective flows and may engage them, if we so choose, to create new ways of being in the world for ourselves.

Keywords:   Metacinema, Affect, Ways of Being

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