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Buddhist Visual Cultures, Rhetoric, and Narrative in Late Burmese Wall Paintings$
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Alexandra Green

Print publication date: 2018

Print ISBN-13: 9789888390885

Published to Hong Kong Scholarship Online: January 2019

DOI: 10.5790/hongkong/9789888390885.001.0001

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PRINTED FROM HONG KONG SCHOLARSHIP ONLINE (www.hongkong.universitypressscholarship.com). (c) Copyright Hong Kong University Press, 2020. An individual user may print out a PDF of a single chapter of a monograph in HKSO for personal use.date: 22 October 2020

Conclusion

Conclusion

Chapter:
(p.190) Conclusion
Source:
Buddhist Visual Cultures, Rhetoric, and Narrative in Late Burmese Wall Paintings
Author(s):

Alexandra Green

Publisher:
Hong Kong University Press
DOI:10.5790/hongkong/9789888390885.003.0006

Burmese wall painting sites from the late seventeenth, eighteenth, and early nineteenth centuries housed a specific body of material that was sufficiently relevant to Burmese Buddhist concepts, beliefs, and practices that it was maintained in a standardized format over the course of a “long” century. In these temples, biography, textile patterns, cosmology, and protective and ritual imagery located the murals within contemporary culture where repetition provided religious, social, and political authentication for the Burmese Buddhist community. This type of display created an appropriate space in which to house and honor a Buddha image or images, memorialized the Buddha, and codified a visual liturgy,...

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