Show Summary Details
- Title Pages
- Figures
- Acknowledgments
- Introduction: The Study of Laughter in the Mao Era
-
1 Laughter, Ethnicity, and Socialist Utopia -
2 Revolution Plus Love in Village China -
3 Joking after Rebellion -
4 Intermedial Laughter -
5 Fantastic Laughter in a Socialist-Realist Tradition? -
6 Humor, Vernacularization, and Intermedial Laughter in Maoist Pingtan -
7 Propaganda, Play, and the Pictorial Turn -
8 The Revolutionary Metapragmatics of Laughter in Zhao Shuli’s Fiction -
9 Huajixi, Heteroglossia, and Maoist Language -
10 Ma Ji’s “Ode to Friendship” and the Failures of Revolutionary Language - Bibliography
- Contributors
- Index
Title Pages
Title Pages
- Source:
- Maoist Laughter
- Author(s):
- Ping Zhu, Zhuoyi Wang, Jason McGrath
- Publisher:
- Hong Kong University Press
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- Title Pages
- Figures
- Acknowledgments
- Introduction: The Study of Laughter in the Mao Era
-
1 Laughter, Ethnicity, and Socialist Utopia -
2 Revolution Plus Love in Village China -
3 Joking after Rebellion -
4 Intermedial Laughter -
5 Fantastic Laughter in a Socialist-Realist Tradition? -
6 Humor, Vernacularization, and Intermedial Laughter in Maoist Pingtan -
7 Propaganda, Play, and the Pictorial Turn -
8 The Revolutionary Metapragmatics of Laughter in Zhao Shuli’s Fiction -
9 Huajixi, Heteroglossia, and Maoist Language -
10 Ma Ji’s “Ode to Friendship” and the Failures of Revolutionary Language - Bibliography
- Contributors
- Index
