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Indonesian Cinema after the New OrderGoing Mainstream$
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Thomas Barker

Print publication date: 2019

Print ISBN-13: 9789888528073

Published to Hong Kong Scholarship Online: May 2020

DOI: 10.5790/hongkong/9789888528073.001.0001

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Audiences without Cinemas

Audiences without Cinemas

Chapter:
(p.138) 5 Audiences without Cinemas
Source:
Indonesian Cinema after the New Order
Author(s):

Thomas Barker

Publisher:
Hong Kong University Press
DOI:10.5790/hongkong/9789888528073.003.0006

Indonesia remains underserviced by cinemas with a comparatively low cinema to population ratio. For much of the late New Order and after reformasi, exhibition remained dominated by the 21 Group, a crony company with film import monopoly rights. Recently, new investment has flowed into exhibition from the Blitzmegaplex company which is revealed to be well connected to New Order military figures. More recently new players have entered the industry including South Korea’s CGV who bought Blitz, the domestic conglomerate Lippo, and Raam Punjabi’s Platinum Cineplex chain, introducing both competition and global capital into the sector.

Keywords:   cinemas, exhibition, investment, monopoly, 21 Group, global capital

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