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Indonesian Cinema after the New OrderGoing Mainstream$
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Thomas Barker

Print publication date: 2019

Print ISBN-13: 9789888528073

Published to Hong Kong Scholarship Online: May 2020

DOI: 10.5790/hongkong/9789888528073.001.0001

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PRINTED FROM HONG KONG SCHOLARSHIP ONLINE (www.hongkong.universitypressscholarship.com). (c) Copyright Hong Kong University Press, 2021. An individual user may print out a PDF of a single chapter of a monograph in HKSO for personal use.date: 29 July 2021

Producing an Oligopoly

Producing an Oligopoly

Chapter:
(p.165) 6 Producing an Oligopoly
Source:
Indonesian Cinema after the New Order
Author(s):

Thomas Barker

Publisher:
Hong Kong University Press
DOI:10.5790/hongkong/9789888528073.003.0007

Even with the entry of new filmmakers, production companies, and investors, the Indonesian film industry remains dominated by an oligopoly of old producers. In identifying this group, this chapter traces their connections back to the 1960s and their consolidation throughout the New Order. With significant presence in television production, these producers are both now wealthy and well-connected, allowing them to reassert themselves in the reformed post-1998 film industry. Largescale capital has been important to the systemisation of film production for the mainstream market but speaks to the legacy structures of the New Order.

Keywords:   business networks, capital, oligopoly, producers, patronage, crony, monopoly

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