- Title Pages
- Dedication
- Illustrations
- Foreword
- Acknowledgements
-
Introduction “Manchukuo Perspectives,” or “Collaboration” as a Transcendence of Literary, National, and Chronological Boundaries -
1 Unpacking “New Manchuria” Narratives -
2 Fairy Tales and the Creation of the “Future Nation” of Manchukuo -
3 Spiritual Resistance -
4 Utopianism Unrealized -
5 Linguistic Hybridity, Transnational Connectivity, and the Cultural Territorialization of Colonial Literature -
6 Sickness, Death, and Survival in the Works of Gu Ding and Xiao Hong -
7 Manchukuo Melancholy -
8 Zhu Ti and I -
9 From Radical Nationalism to Anti-modernism -
10 Literature Selection in a Historical Dilemma -
11 Acculturation and Border-Crossing in Manchukuo Literature -
12 Searching for Memories of Colonial Literature in Modern History -
13 Luo Tuosheng and Manchukuo Literature -
14 In the Sunken Submarine -
15 The Imagination of Heterogeneous Space and Implicit Transformations of Identity -
16 The Literary Politics of Harmonization and Dissonance -
17 “Manchuria” and the Proletarian Literature of Colonial Korea -
18 Modern Korean Literature and Manchukuo - Postscript
- Contributors
- Index
In the Sunken Submarine
In the Sunken Submarine
Russian Émigré Poetry in Manchukuo
- Chapter:
- (p.221) 14 In the Sunken Submarine
- Source:
- Manchukuo Perspectives
- Author(s):
Olga Bakich
- Publisher:
- Hong Kong University Press
The chapter analyzes the development and artistic responses of Russian emigré poetry under the pressures of Japanese occupation during the Manchukuo years (1932-1945). It also examines what exile and losing one's nation meant for these stateless intellectuals. Several poets and their works are investigated, along with state-sponsored poetry competitions featuring Russian authors as a means to represent the "success" of multi-ethnic literary endeavours in Manchukuo.
Keywords: Russian emigrés in Manchuria, Russian poetry in Manchukuo, Manchukuo poetry competitions
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- Title Pages
- Dedication
- Illustrations
- Foreword
- Acknowledgements
-
Introduction “Manchukuo Perspectives,” or “Collaboration” as a Transcendence of Literary, National, and Chronological Boundaries -
1 Unpacking “New Manchuria” Narratives -
2 Fairy Tales and the Creation of the “Future Nation” of Manchukuo -
3 Spiritual Resistance -
4 Utopianism Unrealized -
5 Linguistic Hybridity, Transnational Connectivity, and the Cultural Territorialization of Colonial Literature -
6 Sickness, Death, and Survival in the Works of Gu Ding and Xiao Hong -
7 Manchukuo Melancholy -
8 Zhu Ti and I -
9 From Radical Nationalism to Anti-modernism -
10 Literature Selection in a Historical Dilemma -
11 Acculturation and Border-Crossing in Manchukuo Literature -
12 Searching for Memories of Colonial Literature in Modern History -
13 Luo Tuosheng and Manchukuo Literature -
14 In the Sunken Submarine -
15 The Imagination of Heterogeneous Space and Implicit Transformations of Identity -
16 The Literary Politics of Harmonization and Dissonance -
17 “Manchuria” and the Proletarian Literature of Colonial Korea -
18 Modern Korean Literature and Manchukuo - Postscript
- Contributors
- Index
